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139 results
  • In pictures
  • In pictures

Death around the world in ten objects

| Elissavet Ntoulia

Death is many things to many cultures: violent, holy, frightening, calm, disgusting... or just a gateway to another life.

  • In pictures
  • In pictures

Top ten creepiest objects in the collection

| Kirsten Riley

From anti-masturbation rings to a tonsil guillotine, these specially selected pieces might make your skin crawl.

  • Article
  • Article

The Key to Memory: Use art to articulate

Danny Rees explains what William Utermohlen’s self-portraits can tell us about how and why we remember.

  • Article
  • Article

The Key to Memory: Follow your nose

Elissavet Ntoulia explores what a pair of pomanders can tell us about how and why we remember.

  • Article
  • Article

The Key to Memory: Mark it out

Sarah Bentley explores what a papier-mâché figure from Japan can tell us about how and why we remember.

  • Article
  • Article

The Key to Memory: Write it down

Nick Dent explores what the Library of the Human Genome can tell us about how and why we remember.

  • Article
  • Article

A nose through Blythe House

| Laura HumphreysKevin Percival

Recently sold and emptied out, Blythe House was once one of the UK’s biggest museum storage facilities. Here, museum worker Laura Humphreys reflects on her relationship with the store’s architecture, objects and aromas.

  • Article
  • Article

Why the world needs collectors

| Anna Faherty

Those who collect play an important role as “facilitators of curiosity”, says Anna Faherty.

  • Article
  • Article

Getting the measure of pain

| Jaipreet VirdiAnne Howeson

In the 20th century doctors tried to find a way to measure pain. But even when ‘objective’ measures were rejected, an accurate understanding of another’s pain remained frustratingly elusive.

  • Article
  • Article

Where hoarding and dementia meet

| Georgie EvansNicole Coffield

As Grandma’s dementia advanced, the things she’d amassed became more important: they consoled her. Clearing safe walkways through the piles became the first – though unwelcome – compromise.

  • Article
  • Article

Disability, education and prejudice

| Ruth BlueHollie Chastain

In the 1960s and 1970s, thalidomide survivors had to fight for a proper education. If they weren’t brought up in institutions, they were often viewed as objects of curiosity, encountering verbal and sometimes physical abuse, both at school and in the world beyond.

  • Article
  • Article

The fine line between collecting and hoarding

| Georgie EvansNicole Coffield

Being ‘a collector’ is often celebrated but being labelled ‘a hoarder’ can be humiliating, at best. Georgie Evans asks what makes one set of objects a collection and another a hoard.

  • Article
  • Article

Keeping death close

| Lauren EntwistleShay Azzari

Scattering her father’s ashes, Lauren Entwistle found herself longing for something physical that proved he once was a living, breathing person. Here she reflects on the objects that help us to grieve and remember.

  • In pictures
  • In pictures

Revealing the iron corset

| Elizabeth McFadden

There are around 15 iron corsets in museum collections around the world, including two in Wellcome Collection. Historians still dispute their purpose, but these intriguing objects hold clues about who would have worn them and why.

  • In pictures
  • In pictures

A personal history of albinism

| Caroline Butterwick

Caroline Butterwick has often felt singled out because of her albinism. Here she explores how the genetic condition has affected her life, and how self-acceptance has followed understanding.

  • Article
  • Article

Mapping the body

These intricate anatomical drawings show how Ayurveda practitioners have explored the human body and how it works.

  • Photo story
  • Photo story

Trans masculinity on the record

| E-J ScottThomas S G Farnetti

Curator of the Museum of Transology in Brighton E-J Scott tells the story behind a few of the 250 objects from the collection, and the powerful effect they had on him as he put trans lives on the record.

  • Article
  • Article

Writing back to authority

| Caroline ButterwickKimberley Burrows

As she cuts up old doctors’ letters and uses them to compose absurd poems, Caroline Butterwick reflects on the catharsis of creation and proposes writing as a way to take back control.

  • Article
  • Article

Birth, babies and boxes of memories

| Erin BeestonNaomi Williams

With memories of her baby in neonatal intensive care still fresh, Erin Beeston decides to unearth the poignant objects her family kept following births, going back as far as Victorian times.

  • Article
  • Article

The significance of safe spaces as refuges from racism

| David JesudasonSteven Pocock

Beer writer David Jesudason discusses the impact racism has had on his mental health, and the consolation offered by pubs that feel truly safe.

  • Article
  • Article

A medieval guide to practical magic

| Rebecca J S NiceThomas S G FarnettiMartin Hopton

With few sources of effective help available when treating an injured patient, the medieval physician could instead stage a healing ceremony using a practical how-to guide he carried with him.

  • Article
  • Article

The enigma of the medieval folding almanac

| Elma Brenner

With its combination of rich, portable data and high-end style, this folding almanac could have been the medieval equivalent of the latest iPhone.

  • Book extract
  • Book extract

Tracing the roots of our fears and fixations

| Kate SummerscaleTim Robinson

Kate Summerscale explores the history of our anxieties and compulsions, and the new phobias and manias that are always emerging.

  • Article
  • Article

A symbol of a lost homeland

| Yasmeen Abdel MajeedJacqueline Reem Salloum

The story of one protective amulet from Palestine reveals a complex tale. Encompassing the personal history of an influential doctor and collector, it provides a window onto dispossession and exile, and the painful repercussions that are still felt today.

  • Interview
  • Interview

Inside the mind of Ayurvedic Man’s curator, Bárbara Rodriguez Muñoz

| Gwendolyn Smith

The choices a curator makes – what goes in? what stays out? why? – are often as fascinating as the exhibition itself.