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322 results
  • Book extract
  • Book extract

Dangers inside and out

| Eimear McBrideAlexandra Gallagher

Eimear McBride reflects on the deadly consequences of misogyny in the wake of the murder of Sarah Everard and argues why advising women to simply “stay indoors” is wrong.

  • In pictures
  • In pictures

Our bodies inside out

| Jennifer Z PaxtonKaty Wiedemann

A series of exquisite ink and watercolour illustrations reveal the incredible things going on under our skin.

  • Book extract
  • Book extract

Inside the Cold War mind

| Martin SixsmithSteven Pocock

Martin Sixsmith explores the competing national psyches of Russia and America, and a world divided between their irreconcilable visions of human nature.

  • In pictures
  • In pictures

How the city lives inside me

| MURUGIAH

Artist Murugiah illustrates his urban environment and the feelings of being consumed, falling, squeezed and trapped.

  • Article
  • Article

How do advertisers get inside our heads?

| Charlie WilliamsSarah MarksDaniel Pick

Vance Packard exposed techniques of mass manipulation developed by 1950s advertisers that are still at work today in the age of big data.

  • In pictures
  • In pictures

The hidden meanings inside these 1920s Easter egg postcards

| Lalita Kaplish

There’s something unexpectedly flirtatious and flamboyant about the smart young people featured in these French postcards.

  • Interview
  • Interview

Inside the minds of A R Hopwood and Honor Beddard

| Gwendolyn SmithThomas S G Farnetti

The curators of ‘Smoke and Mirrors’ reveal the stories behind the exhibits, and the intriguing truths the show confronts us with.

  • Interview
  • Interview

Inside the mind of Living with Buildings curator, Emily Sargent

| Gwendolyn Smith

Curator Emily Sargent reveals why council estates and a Finnish TB sanatorium were chosen for the ‘Living with Buildings’ exhibition.

  • Interview
  • Interview

Inside the mind of Ayurvedic Man’s curator, Bárbara Rodriguez Muñoz

| Gwendolyn Smith

The choices a curator makes – what goes in? what stays out? why? – are often as fascinating as the exhibition itself.

  • Interview
  • Interview

Inside the mind of George Vasey, co-curator of Misbehaving Bodies

| Gwendolyn SmithThomas S G Farnetti

Discover how curator George Vasey honoured the approaches of Jo Spence and Oreet Ashery, who mischievously subvert clichés around illness and death.

  • Interview
  • Interview

Inside the mind of Somewhere in Between’s curator, Laurie Britton Newell

| Gwendolyn Smith

The exhibition's curator shares her secrets.

  • Interview
  • Interview

Inside the minds of Teeth’s two curators, James Peto and Emily Scott-Dearing

| Gwendolyn Smith

James Peto and Emily Scott-Dearing talk visceral reactions, their interactions and object extractions.

  • In pictures
  • In pictures

A history of art in hospitals

| Anne Wallentine

Art historian Anne Wallentine examines art in hospital settings – from its Christian devotional origins to its healing role in modern healthcare buildings.

  • In pictures
  • In pictures

A personal history of albinism

| Caroline Butterwick

Caroline Butterwick has often felt singled out because of her albinism. Here she explores how the genetic condition has affected her life, and how self-acceptance has followed understanding.

  • In pictures
  • In pictures

The trouble with absinthe

| David Jesudason

Famed for inducing “green fairy” hallucinations, absinthe has been simultaneously lauded for its medicinal properties and condemned as the source of debasement and debauchery.

  • In pictures
  • In pictures

Artists, activism and AIDS

| Lalita Kaplish

Posters by artists who turned their art into activism to support their communities and raise awareness of the AIDS epidemic in the 1980s and 1990s.

  • Article
  • Article

Jim, the horse of death

| Chris Baker

Horses’ blood was used to produce an antitoxin that saved thousands of children from dying from diphtheria, but contamination was a deadly problem. Find out how a horse called Jim was the catalyst for the beginnings of medical regulation.

  • In pictures
  • In pictures

Neuroqueering comics

| Lilith (Lea) Cooper

Researcher and zine-maker Lea Cooper considers how comic-zines use the distinctive qualities of zines to explore some of the complex connections between memory, autobiography, disability, neurodivergence and queer identity.

  • In pictures
  • In pictures

A nasty history of the vaginal speculum

| Lalita Kaplish

The vaginal speculum carries the weight of generations of preconceptions about morality, blame and attitudes to pain. Lalita Kaplish explores the history of the implement and how societies shaped its use.

  • Book extract
  • Book extract

Why the NHS is worth saving

| Gavin FrancisJames Glossop

In this extract from his latest book, ‘Free For All’, Dr Gavin Francis poses challenging questions to be addressed if a health service that’s free for all at the point of use is to remain possible.

  • Book extract
  • Book extract

Renaissance women and their killer cosmetics

| Jill BurkeSteven Pocock

In this extract from ‘How to be a Renaissance Woman’, Jill Burke delves into a complex world of beauty products, poison and patriarchy – and reveals the impossible contradictions of femininity faced by 16th-century women.

  • In pictures
  • In pictures

An appreciation of bees

| Louisa McKenzie

Discover some un-bee-lievable stories about bees, their history and their uncertain future.

  • Article
  • Article

Would you like to buy a dinosaur?

| Ross MacFarlane

Two remarkable letters and a drawing of a plesiosaur by Mary Anning offer a tantalising portal into the exciting world of fossil hunting and discovery of the 1800s.

  • In pictures
  • In pictures

Advice for (medieval) old age

| Katherine Harvey

Whether it was an abstemious, pious preparation for death or drinking gold in the quest for eternal life, those seeking advice on what best to do in their later years were never short of inspiration.

  • In pictures
  • In pictures

Quaranzines

| Lilith (Lea) Cooper

Researcher and zine-maker Lea Cooper explores pandemic zines made by people who were often familiar with “staying at home” because of disability or chronic illness.