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William Hogarth making a drawing of his companions and himself as they shave and take their breakfast. Etching by Richard Livesay, 1781, after William Hogarth, 1732.
Hogarth, William, 1697-1764.Date: 27 November 1781Reference: 30069i
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The distressed poet is visited in his abode by an angry milkmaid collecting outstanding money. Engraving by W. Hogarth.
Hogarth, William, 1697-1764.Date: Dec 15. 1740Reference: 39165i- Pictures
The dissection of the body of Tom Nero. Engraving by William Hogarth, 1751.
Hogarth, William, 1697-1764.Date: 1 February 1751Reference: 38382iPart of: The four stages of cruelty
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An election banquet. Engraving by W. Hogarth, 1755.
Hogarth, William, 1697-1764.Date: 24 February 1755Reference: 38385iPart of: An election
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A street scene in which a dog is maltreated; a young man intervenes by offering his food to the miscreants. Engraving by William Hogarth, 1751.
Hogarth, William, 1697-1764.Date: 1 February 1751Reference: 38379iPart of: The four stages of cruelty
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A night scene with Tom Nero apprehended in a church-yard before the murdered body of a pregnant maidservant. Engraving by William Hogarth, 1751.
Hogarth, William, 1697-1764.Date: 1 February 1751Reference: 38381iPart of: The four stages of cruelty
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Scholars at a lecture. Engraving by W. Hogarth.
Hogarth, William, 1697-1764.Date: March 3rd 1736Reference: 39166i
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Tom Nero, a hackney coach driver, beats with sadistic cruelty a disabled horse; a herdsman cudgels a sheep and a sleeping drayman runs over a boy with a hoop. Engraving by William Hogarth, 1751.
Hogarth, William, 1697-1764.Date: 1 February 1751Reference: 38380iPart of: The four stages of cruelty
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Strolling actresses dressing in a barn, a look behind the scenes of a backstage dressing room. Engraving by W. Hogarth.
Hogarth, William, 1697-1764.Date: March the 25, 1738Reference: 39169i- Pictures
Wigs classified into five different orders in a parody of the orders of ancient Greek and Roman architecture. Etching by W. Hogarth, 1761.
Hogarth, William, 1697-1764.Date: Octr. 15. 1761Reference: 3310001i
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A young man with an exhausted expression after sex pulls on his breeches beside a woman who gazes up at him and holds his arm; on the wall is an image of Cupid pointing to a downward-pointing rocket. Engraving by William Hogarth, 1736.
Hogarth, William, 1697-1764.Date: Decm:br: ye: 15th 1736Reference: 38349iPart of: Before and after
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A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. Etching by W. Hogarth, 1736, after himself.
Hogarth, William, 1697-1764.Date: 3 March 1736Reference: 544394i
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A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. Etching by W. Hogarth, 1736, after himself.
Hogarth, William, 1697-1764.Date: 3 March 1736Reference: 544395i
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A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. Etching by W. Hogarth, 1736, after himself.
Hogarth, William, 1697-1764.Date: 3 March 1736Reference: 10756i
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Saint Paul: with his hands in chains, he pleads his case at Caesarea before the Roman procurator of Judea, Antonius Felix. Engraving by W. Hogarth after himself, 1752.
Hogarth, William, 1697-1764.Date: publish'd as the Act directs Feb 5 1752Reference: 8678i
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In a lady's bedchamber a young woman struggles as a man pulls her towards him clutching at her dress. Engraving by W. Hogarth, 1736, after himself.
Hogarth, William, 1697-1764.Date: Decm:br: ye: 15th 1736Reference: 38348iPart of: Before and after
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The dissection of the body of Tom Nero. Etching by W. Hogarth, 1751.
Hogarth, William, 1697-1764.Date: 1 February 1751Reference: 907iPart of: The four stages of cruelty
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Dr. Ranby's house in Chiswick. Etching after W. Hogarth.
Hogarth, William, 1697-1764.Date: 1st May 1781Reference: 39214i
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Men playing draughts in Button's Coffee-House, London, ca. 1720. Aquatint by S. Ireland after W. Hogarth.
Hogarth, William, 1697-1764.Reference: 544376i
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The enraged musician: a street crowd with a ballad singer is creating such a noise that the musician in the window has to put his hands over his ears. Engraving by W. Hogarth, 1741.
Hogarth, William, 1697-1764.Date: Novbr. the 30th 1741Reference: 39172i
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Analysis of beauty. Plate I.
Hogarth, William, 1697-1764Date: March 5th 1753Reference: 38383iPart of: Analysis of beauty
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Analysis of beauty. Plate II.
Hogarth, William, 1697-1764Date: 5 March 1753Reference: 38384iPart of: Analysis of beauty
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A choir of men and boys rehearsing a performance of an oratorio. Etching by W. Hogarth, 1736.
Hogarth, William, 1697-1764.Date: 1736Reference: 33946i
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William Hogarth embarking on a boat in the Thames near Sheerness, accompanied by four friends. Etching by R. Livesay after S. Scott and W. Hogarth.
Scott, Samuel, approximately 1710-1772.Date: 27 Nov. 1781Reference: 39238i
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A chorus of singers rehearsing William Huggins' oratorio "Judith". Etching by W. Hogarth, 1732.
Hogarth, William, 1697-1764.Date: 1732Reference: 39130i