- Short film
- Short film
Audrey’s archivist
In this short film, archivist Elena Carter talks about how she worked with Audrey’s scrapbooks to preserve her individual voice within her archive.
- Article
- Article
A reflection on art in a mental hospital
Artist Beth Hopkins explains how she used her experience of researching the Adamson Collection to create an embroidered wall hanging.
- Article
- Article
The Key to Memory: Use art to articulate
Danny Rees explains what William Utermohlen’s self-portraits can tell us about how and why we remember.
- Article
- Article
Who was Audrey Amiss?
Elena Carter introduces the vast collection left behind by artist Audrey Amiss, who documented her life in astonishing detail.
- Article
- Article
Aphasia and drawing elephants
When Thomas Parkinson investigated the history of “speech science”, he discovered an unexpected link between empire, elephants and aphasia.
- Article
- Article
Cataloguing Audrey
Work begins in earnest to restore order to the archive Audrey Amiss kept of the minutest happenings in her life. Like detectives, the archivists search for subtle clues to chronology in the mass of materials.
- Article
- Article
Book design, dissected
Gwen Smith talks to art director Peter Dyer about imagery, colour, type and staying true to the pages within.
- Article
- Article
Picturing mental health
Ron Hampshire created artworks while resident at Netherne psychiatric hospital. What can we learn from them?
- Article
- Article
Uncovering experiences of dementia
Focusing on three 19th-century women’s case notes, Millie van der Byl Williams explores how our definition of dementia has changed.
- Article
- Article
Audrey and her family
In working on Audrey Amiss’s archive, Elena is getting closer to understanding her. But the way her niece and nephew remember Audrey adds essential detail to the picture.
- Article
- Article
Documents of my breath
Swati Joshi’s childhood bronchitis meant that she couldn’t imagine being able to breathe easily. As an adult, she chronicles her recovery through artworks created using bubbles and her breath.
- Article
- Article
The Ladies of Llangollen
As we celebrate LGBT History Month, Sarah Bentley explores the relationship between the two 18th-century women known as the Ladies of Llangollen.
- Article
- Article
Drawing the human animal
We might try to deny our animal instincts, but this series of extraordinary 17th-century drawings suggests they are only too apparent.
- Article
- Article
Finding out where my lithium comes from
The origins of the lithium Laura Grace Simpkins swallows daily are unclear. If we don’t know the provenance of our pills, how can we make informed decisions about them?
- Article
- Article
In the tracks of Derek Jarman’s tears
Researcher E K Myerson shares her moving encounters with the personal papers of artist and filmmaker Derek Jarman.
- Article
- Article
Would you like to buy a unicorn?
The story behind why somebody tried to sell Henry Wellcome a unicorn head in 1928.
- Article
- Article
Conserving Audrey
Elena describes how specially designed storage allows Audrey’s scrapbooks to retain all traces of her creative process, although their intrinsic fragility means deterioration is almost inevitable.
- Article
- Article
The secret lives of Britain’s first Black physicians
Dr Annabel Sowemimo explores the web of connections between early Black British doctors, the role of empire in West Africa and the pernicious reach of scientific racism.
- Article
- Article
Spanish flu and the depiction of disease
The Spanish flu pandemic of 1918 killed many millions more than World War I did. Find out why contemporary artistic depictions of its devastating impact are so rare.
- Article
- Article
Digitising Audrey
Building digital images of what Audrey created means that her work can be frozen in time – for the digital version, at least, the process of decay is halted, and any number of people can view it without the risk of damaging it.
- Article
- Article
The food diary and the power of unhealth
Food diaries might appear to present a strictly factual record of dietary choices, but what they don’t include is the more revealing story, as Virginia Hartley suggests.