- Article
- Article
Building a dream in the garden suburbs
In the late 19th century a ‘garden suburb’ promised a retreat from London’s dirt and crowds. See how this new concept was developed to appeal to the health concerns of the literary classes.
- Article
- Article
How slums make people sick
A newly gentrified corner of Bermondsey leaves little clue to its less salubrious history. But a few intrepid writers recorded the details of existence in one of London’s most squalid slums.
- Article
- Article
Two health centres, two ideologies
Two futuristic, light-filled buildings aimed to bring forward-looking healthcare to city dwellers. But the principles behind each were very different.
- Article
- Article
The tower in fiction, film and life
The high-rise estates born of postwar idealism soon became symbols of crime and squalor. But after one terrible tragedy, public bodies are being forced to rethink our towers.
- Article
- Article
How to rehabilitate the concrete jungle
A huge concrete housing estate from the 1960s, now seen as an ecological mistake, is being drastically redeveloped, compounding the environmental errors. Owen Hatherley posits a more creative solution.
- Article
- Article
A nose through Blythe House
Recently sold and emptied out, Blythe House was once one of the UK’s biggest museum storage facilities. Here, museum worker Laura Humphreys reflects on her relationship with the store’s architecture, objects and aromas.
- Article
- Article
When the sun goes down
Despite the country’s colonial and industrial dominion, the finest minds of Victorian Britain began to fear the devastating effects of declining natural resources. Even the death of the sun.
- Article
- Article
The making of ‘Quacks’
How do you create a medical comedy that’s authentic and laugh-out-loud funny?
- Article
- Article
London, city of lost hospitals
Come on the trail of hundreds of ghost hospitals, whose remnants hold clues to medical treatments of the past.
- Article
- Article
Native Americans through the 19th-century lens
The stories behind Rinehart's photographs may not be as black and white as they first appear.