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Stories

Images

  • Recto: a figure sits at a desk looking at a condom with a row of models of the penis surrounded by random images including a robot, a television, a figure on a skateboard; advertisement by ArtReach for Prototypes, a Center for Innovation in health, mental health and social services. Colour lithograph by John Tat.
  • Model Dwelling in the Mall, Kensington. Built for gentle women of limited means, governesses, artists and skilled artisans.
  • The anatomy of the bones and muscles : exhibiting the parts as they appear on dissection, and more particularly in the living figure; as applicable to the fine arts. Designed for the use of artists, and memebers of the Artist's anatomical society. In two parts / By George Simpson. Illustrated with highly-finished lithographic impressions.
  • The anatomy of the bones and muscles : exhibiting the parts as they appear on dissection, and more particularly in the living figure; as applicable to the fine arts. Designed for the use of artists, and memebers of the Artist's anatomical society. In two parts / By George Simpson. Illustrated with highly-finished lithographic impressions.
  • The anatomy of the bones and muscles : exhibiting the parts as they appear on dissection, and more particularly in the living figure; as applicable to the fine arts. Designed for the use of artists, and memebers of the Artist's anatomical society. In two parts / By George Simpson. Illustrated with highly-finished lithographic impressions.
  • A naked bearded man steps forward, holding the handle of a spear in his right hand. Engraving by J.-P.-M. Soumy, 1854.
  • A seated man attending a life class draws from the model; a nude male model is seated to the left. Pencil drawing.
  • Rembrandt at the door of the Amsterdam anatomy theatre. Process print, 1927, of an engraving by C. L. van Kesteren after C. Bisschop.
  • Pastimes: listening to a precocious chiild, creating a sculpture, a life class for women, and an artist's reminiscences of plein-air painting in Italy. Coloured lithograph after H. Monnnier, 1839.
  • William Cheselden giving an anatomical demonstration to six spectators in the anatomy-theatre of the Barber-Surgeons' Company, London. Oil painting, ca. 1730/1740.