199 results filtered with: Digital Images, Pictures
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Fifteen vignettes relating to child care, domestic medicine, effects of alcohol and eating. Etching by G. Cruikshank after himself.
Cruikshank, George, 1792-1878.Reference: 17758i
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Fish in human situations. Etching by George Cruikshank, 1832.
Cruikshank, George, 1792-1878.Date: Sept. 1 1832Reference: 36045i- Pictures
A central caricature of the morning promenade at Montpellier Spa, Cheltenham, with little sketches of scenes, people, and objects. Etching by G. Cruikshank, 1833, after himself.
Cruikshank, George, 1792-1878.Date: Dec. 1833Reference: 16633i- Pictures
A central caricature of a social gathering at Montpellier Rotunda, surrounded by little sketches of scenes and portraits, Cheltenham. Etching by G. Cruikshank, 1833, after himself.
Cruikshank, George, 1792-1878.Date: December 1833Reference: 16636i
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Heads of different types of people in connection with the law. Etching by George Cruikshank after himself.
Cruikshank, George, 1792-1878.Date: April 1st 1834Reference: 31663i
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A drunken man and woman lean against pillars leading to a giant distillery with attendant demon; miscellaneous characters round as border. Etching by G. Cruikshank, 1833, after himself.
Cruikshank, George, 1792-1878.Date: 1833Reference: 26475i
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James Morison promoting his alternative medicines; satirised by five vignettes of a fox among geese. Etching by G. Cruikshank, 1833, after himself.
Cruikshank, George, 1792-1878.Date: 1833Reference: 10764i
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Jack o'lantern as a demon standing among bullrushes at the water's edge at night and holding a lantern. Etching by G. Cruikshank, 1842.
Cruikshank, George, 1792-1878.Date: January 1st 1842Reference: 11547i
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Building materials marching out of London of their own accord to build suburban housing over greenfield sites. Etching by G. Cruikshank, 1829.
Cruikshank, George, 1792-1878.Date: 1st November 1829Reference: 576771i- Pictures
Phrenological properties of drawing: colour, form, space, order. Etching by G. Cruikshank, 1826.
Cruikshank, George, 1792-1878.Date: August 1st 1826Reference: 11845iPart of: Phrenological illustrations, or an artist's view of the craniological system of doctors Gall and Spurzheim- Pictures
Building materials marching out of London and forming new built-up areas in the countryside. Etching by G. Cruikshank, 1829.
Cruikshank, George, 1792-1878.Date: November 1st 1829Reference: 578910iPart of: Scraps and sketches depicting scenes of British life.
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A man is drawing a cart along the road as other people perform other activities also called drawing. Etching by George Cruikshank.
Cruikshank, George, 1792-1878.Date: August 1st 1826Reference: 36143i
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Phrenological propensities: philoprogenitiveness, amativeness, self-love, individuality, number; illustrated by a huge and happy family, an apothecary making advances on his maidservant, a dandy admiring his reflection, Seurat the human skeleton, Toby the learned pig. Coloured etching by G. Cruikshank, 1826, after himself.
Cruikshank, George, 1792-1878.Date: 1 August 1826Reference: 11844iPart of: Phrenological illustrations, or an artist's view of the craniological system of doctors Gall and Spurzheim
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Top left, gamebirds watching in safety while hunters and poachers shoot each other; top right, a graveyard for colonial institutions in Africa; bottom left, spoonbills (birds) made of teapots and spoons; bottom centre, two men talking about a hen and some ducklings; bottom right, a weather vane in the form of a man holding a gun. Etching by G. Cruikshank, 1831.
Cruikshank, George, 1792-1878.Date: Feb.y 1831Reference: 578913iPart of: Scraps and sketches depicting scenes of British life.
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Phrenological propensities: language, ideality, wit, imitation and approbation, comparison; illustrated by foul-mouthed fishwives, a man imagining ghosts, a woman tricked in a churchyard, Mathews mimicking a phrenologist's lecture, a tall thin man passing a short fat woman. Coloured etching by G. Cruikshank, 1826, after himself.
Cruikshank, George, 1792-1878.Date: 1 August 1826Reference: 11841iPart of: Phrenological illustrations, or an artist's view of the craniological system of doctors Gall and Spurzheim
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Seven vignettes illustrating phrenological propensities: tune, covetiveness, secretiveness, size, firmness, time, weight; illustrated by an organ-grinder, a pick-pocket, an adulterer, the huge Daniel Lambert, a pavior with his rammer, a winged clock, a crown on a cushion. Coloured etching by G. Cruikshank, 1826, after himself.
Cruikshank, George, 1792-1878.Date: 1 August 1826Reference: 11843iPart of: Phrenological illustrations, or an artist's view of the craniological system of doctors Gall and Spurzheim
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A gin shop: an elegant young woman is selling gin to a group of paupers who are standing in a mantrap; the walls decorated with coffins; Death enters the room dressed as a nightwatchman. Etching by G. Cruikshank, 1829.
Cruikshank, George, 1792-1878.Date: 1 November 1829Reference: 578909iPart of: Scraps and sketches depicting scenes of British life.- Pictures
Phrenological propensities: adhesiveness, inhabitiveness, constructiveness, combativeness, destructiveness; illustrated by a couple stuck in a bog, a snail in its shell, a spider in its web, a huge brawl, a bull in a china shop. Etching by G. Cruikshank, 1826.
Cruikshank, George, 1792-1878.Date: August 1st 1826Reference: 11840iPart of: Phrenological illustrations, or an artist's view of the craniological system of doctors Gall and Spurzheim
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Six vignettes illustrating phrenological propensities: hope, conscientiousness, veneration, cautiousness, benevolence, causality; illustrated by a dog anxious for scraps, a maid attempting a good price for her masters old clothes, an obese gourmand eying an enormous side of beef, a prim couple crossing a muddy road, a man being flogged, Liston acting the part of Paul Pry. Coloured etching by G. Cruikshank, 1826, after himself.
Cruikshank, George, 1792-1878.Date: August 1st 1826Reference: 11842iPart of: Phrenological illustrations, or an artist's view of the craniological system of doctors Gall and Spurzheim
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A fiery demon representing the chaos of the Paris Commune and more generally, the infernal results of the ideals of the French Revolution. Coloured etching by G. Cruikshank, 1871.
Cruikshank, George, 1792-1878.Date: June 1871Reference: 18167i
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A man buys an oyster from a woman behind the counter in a London oyster saloon. Etching by George Cruikshank, 1839.
Cruikshank, George, 1792-1878.Date: [1839]Reference: 29761i
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A student lecturing to other students in a parody of an academic lecture. Etching by George Cruikshank.
Cruikshank, George, 1792-1878.Reference: 35675i
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A dancing demonstration in a school, attended by the pupils' families and friends. Etching by George Cruikshank.
Cruikshank, George, 1792-1878.Date: [?] Aug. 1835Reference: 34281i
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Two women are arguing in the street at Seven Dials in London watched by a crowd. Etching by George Cruikshank.
Cruikshank, George, 1792-1878.Date: 1839Reference: 35894i
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A family is about to return from their holiday in a London townhouse. Etching by George Cruikshank after S.K.
Date: Augt. 1st 1835Reference: 28986i