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The Fall: Adam and Eve driven out by the Angel for eating the forbidden fruit. Etching by C. Lasinio after Masaccio and Masolino.
Masaccio, 1401-1428.Reference: 15637i
Pictures
Online
Episodes in the Pentateuch involving sacrifice, worship and idol-worshipping. Engraving.
Reference: 20167i
Pictures
Adam and Eve expelled from Eden by an angel. Etching by H. Winstanley after G. Reni, 1728.
Reni, Guido, 1575-1642.Date: 1728Reference: 15647i
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Online
Eve is offering an apple to Adam while the serpent watches through the branches of the Tree of Knowledge; representing the origin of AIDS. Colour lithograph after S. Staněk, 1994.
Staněk, Stanislav, 1927-Date: 1994Reference: 668099i
Pictures
Adam and Eve in the garden of Eden: Adam listens to the warnings of the Archangel Raphael while Eve plucks grapes from a vine. Stipple engraving by F. Bartolozzi after T. Stothard, 1792.
Stothard, Thomas, 1755-1834.Date: [1792]Reference: 2823159i
Pictures
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Adam and Eve committing the primal sin; representing the origin of AIDS. Colour lithograph after Pavel Beneš, 1991.
Beneš, Pavel, 1960-Date: 1991Reference: 668102i
Books
Online
The state of innocence, and fall of man, described in Milton's Paradise lost. Rendered into prose. With historical, philosophical, and explanatory notes. From the French of the learned Raymond de St. Maur. By a gentleman of Oxford.
Dupré de Saint-Maur, Nicolas-François, 1695-1774.Date: MDCCLXX. [1770]
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God creating Eve out of Adam. Line engraving.
Reference: 17274i
Pictures
The six stages of the Creation as described in the first chapter of Genesis. Etching, ca. 1790.
Date: 1790Reference: 15452i
Pictures
Online
The garden of Eden illuminated by light symbolising the Trinity. Engraving by A. Collaert after H. Bol.
Bol, Hans, 1534-1593.Reference: 15483i
Pictures
Online
The angel Raphael appears among the animals in the garden of Eden to gaze upon Adam and Eve. Aquatint with etching by R. Pollard, 1792, after C. Metz.
Metz, C. M. (Conrad Martin), 1755-1827.Date: 24 February 1792Reference: 20343i
Pictures
Online
Adam and Eve humbly pray to a stern God. Line engraving.
Reference: 15581i
Part of: Imago Bonitatis Illius
Books
Adam and Eve in the Protestant Reformation / Kathleen M. Crowther.
Crowther, Kathleen M., 1969-Date: 2010
Pictures
Online
The animals look on as the angel expels Adam and Eve from paradise. Engraving by C.J. Visscher.
Masaccio, 1401-1428.Reference: 20369i
Pictures
Online
The serpent passes the fruit to Eve while Adam holds onto a branch. Line engraving after A. Durer.
Dürer, Albrecht, 1471-1528.Reference: 15631i
Books
Online
The history of Adam and Eve: or, an historical and critical account of the origination and fall of man. Extracted from the most celebrated authors, by the Reverend Mr. T. Johnson. Illustrated with five large and beautiful copper plates, engraved by G. King, (disciple to Mr. Vertue,) and other eminent hands. From the original drawings of the famous A. Vanhaecken Representing, I. Adam in his State of Innocency. II. Adam and Eve in the Garden of Eden. III. Eve eating of the Fruit, and giving it to Adam. IV. Adam and Eve flying from the Voice of God in the Garden. V. Adam and Eve driven out of Paradise.
Date: MDCCXL. [1740]
Pictures
A family caught in the ancient cycle of work, eating and death, as depicted in Genesis 3.19. Engraving by C.J. Visscher.
Reference: 20368i
Pictures
Online
A couple in animal skins (Adam and Eve?) journeying with three children after the expulsion. Coloured stipple engraving.
Reference: 20709i
Pictures
Online
Eve shows Adam the apple she has bitten. Etching by W. Unger after J. Palma the elder.
Palma, il Vecchio, 1480?-1528.Reference: 15629i
Pictures
Online
A classical courtyard filled with natural philosophers, scientists and artists. Engraving after S. Le Clerc.
Le Clerc, Sébastien, 1637-1714.Reference: 26182i
Books
Online
An epitome of sacred history, for children. With moral reflections and observations. By W. C. Schoolmaster. Vol.I.
W. C., Schoolmaster.Date: M.DCC.XCIV. [1794]
Books
Online
Adam and Eve in the Armenian tradition : fifth through seventeenth centuries / Michael E. Stone.
Stone, Michael E., 1938-Date: [2013], ©2013
Pictures
Eve plucks the apple from the tree. Colour etching by F. Rosaspina after G.F.M. Mazzola, il Parmigianino.
Parmigianino, 1503-1540.Date: [between 1700 and 1799?]Reference: 2491223i
Pictures
Online
Episodes in the Old Testament. Engraving by M.T.
Reference: 20256i
Pictures
The Académie des Sciences et des Beaux Arts, Paris: showing a variety of subjects to learn, mythical figures, ballooning and pyramids. Engraving by A. Bell after Le Clerc.
Le Clerc, Sébastien, 1637-1714.Reference: 21486i

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The Fall: Adam and Eve driven out by the Angel for eating the forbidden fruit. Etching by C. Lasinio after Masaccio and Masolino.

Episodes in the Pentateuch involving sacrifice, worship and idol-worshipping. Engraving.

Adam and Eve expelled from Eden by an angel. Etching by H. Winstanley after G. Reni, 1728.

Eve is offering an apple to Adam while the serpent watches through the branches of the Tree of Knowledge; representing the origin of AIDS. Colour lithograph after S. Staněk, 1994.

Adam and Eve in the garden of Eden: Adam listens to the warnings of the Archangel Raphael while Eve plucks grapes from a vine. Stipple engraving by F. Bartolozzi after T. Stothard, 1792.

Adam and Eve committing the primal sin; representing the origin of AIDS. Colour lithograph after Pavel Beneš, 1991.

The state of innocence, and fall of man, described in Milton's Paradise lost. Rendered into prose. With historical, philosophical, and explanatory notes. From the French of the learned Raymond de St. Maur. By a gentleman of Oxford.

God creating Eve out of Adam. Line engraving.

The six stages of the Creation as described in the first chapter of Genesis. Etching, ca. 1790.

The garden of Eden illuminated by light symbolising the Trinity. Engraving by A. Collaert after H. Bol.

The angel Raphael appears among the animals in the garden of Eden to gaze upon Adam and Eve. Aquatint with etching by R. Pollard, 1792, after C. Metz.

Adam and Eve humbly pray to a stern God. Line engraving.

Adam and Eve in the Protestant Reformation / Kathleen M. Crowther.

The animals look on as the angel expels Adam and Eve from paradise. Engraving by C.J. Visscher.

The serpent passes the fruit to Eve while Adam holds onto a branch. Line engraving after A. Durer.

A family caught in the ancient cycle of work, eating and death, as depicted in Genesis 3.19. Engraving by C.J. Visscher.

A couple in animal skins (Adam and Eve?) journeying with three children after the expulsion. Coloured stipple engraving.

Eve shows Adam the apple she has bitten. Etching by W. Unger after J. Palma the elder.

A classical courtyard filled with natural philosophers, scientists and artists. Engraving after S. Le Clerc.

An epitome of sacred history, for children. With moral reflections and observations. By W. C. Schoolmaster. Vol.I.

Adam and Eve in the Armenian tradition : fifth through seventeenth centuries / Michael E. Stone.

Eve plucks the apple from the tree. Colour etching by F. Rosaspina after G.F.M. Mazzola, il Parmigianino.

Episodes in the Old Testament. Engraving by M.T.

The Académie des Sciences et des Beaux Arts, Paris: showing a variety of subjects to learn, mythical figures, ballooning and pyramids. Engraving by A. Bell after Le Clerc.