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Attempting to cure the delusions of Don Quixote, Dorothea pretends to be a princess and asks the Don's help in restoring her to her kingdom. Line engraving after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: 1840Reference: 3005074i
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Don Quixote kneels in armour to embrace the leg of a country girl whom he believes to be the heroine Dulcinea; Sancho Panza kneels beside him. Line engraving after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: [1730?]Reference: 3006305i
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An inn-keeper, mistaken by Don Quixote for a knight, humours the Don by dubbing him a knight errant. Line engraving by J. Mynde, 1725, after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: [1725?]Reference: 3006306i
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While guarding in armour an inn which he believes to be a castle, Don Quixote is fastened by his wrists to the window grille, owing to the illwill of the innkeeper. Line engraving after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: 1840Reference: 3005075i
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Sancho Panza (the squire of Don Quixote) pretending to depart to govern the fictitious island of Barataria. Engraving by J. Mynde after C.A. Coypel after M. de Cervantes Saavedra.
Cervantes Saavedra, Miguel de, 1547-1616.Date: 1725Reference: 3005805i
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Don Quixote is tricked by Basilio into defending him against Camacho as the true lover of Quiteria. Engraving after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: [1840?]Reference: 3005093i
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Don Quixote kneels in armour to embrace the leg of a country girl whom he believes to be the heroine Dulcinea; Sancho Panza kneels beside him. Line engraving after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: 1840Reference: 3005076i
Pictures
Sancho Panza and Don Quixote, after sleeping in their saddles, discover in the morning that Sancho's ass has been stolen and replaced by four sticks. Line engraving after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: 1840Reference: 3005073i
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An episode in the play L'école des femmes by Molière: Horace, standing in a city street, asks Arnulphe (in disguise) to look after Agnès. Engraving by F. Joullain, 1726, after C.A. Coypel.
Coypel, Charles-Antoine, 1694-1752.Date: [1726]Reference: 35482i

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Attempting to cure the delusions of Don Quixote, Dorothea pretends to be a princess and asks the Don's help in restoring her to her kingdom. Line engraving after C.A. Coypel.

Don Quixote kneels in armour to embrace the leg of a country girl whom he believes to be the heroine Dulcinea; Sancho Panza kneels beside him. Line engraving after C.A. Coypel.

An inn-keeper, mistaken by Don Quixote for a knight, humours the Don by dubbing him a knight errant. Line engraving by J. Mynde, 1725, after C.A. Coypel.

While guarding in armour an inn which he believes to be a castle, Don Quixote is fastened by his wrists to the window grille, owing to the illwill of the innkeeper. Line engraving after C.A. Coypel.

Sancho Panza (the squire of Don Quixote) pretending to depart to govern the fictitious island of Barataria. Engraving by J. Mynde after C.A. Coypel after M. de Cervantes Saavedra.

Don Quixote is tricked by Basilio into defending him against Camacho as the true lover of Quiteria. Engraving after C.A. Coypel.

Don Quixote kneels in armour to embrace the leg of a country girl whom he believes to be the heroine Dulcinea; Sancho Panza kneels beside him. Line engraving after C.A. Coypel.

Sancho Panza and Don Quixote, after sleeping in their saddles, discover in the morning that Sancho's ass has been stolen and replaced by four sticks. Line engraving after C.A. Coypel.

An episode in the play L'école des femmes by Molière: Horace, standing in a city street, asks Arnulphe (in disguise) to look after Agnès. Engraving by F. Joullain, 1726, after C.A. Coypel.

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Active filters:

Attempting to cure the delusions of Don Quixote, Dorothea pretends to be a princess and asks the Don's help in restoring her to her kingdom. Line engraving after C.A. Coypel.

Don Quixote kneels in armour to embrace the leg of a country girl whom he believes to be the heroine Dulcinea; Sancho Panza kneels beside him. Line engraving after C.A. Coypel.

An inn-keeper, mistaken by Don Quixote for a knight, humours the Don by dubbing him a knight errant. Line engraving by J. Mynde, 1725, after C.A. Coypel.

While guarding in armour an inn which he believes to be a castle, Don Quixote is fastened by his wrists to the window grille, owing to the illwill of the innkeeper. Line engraving after C.A. Coypel.

Sancho Panza (the squire of Don Quixote) pretending to depart to govern the fictitious island of Barataria. Engraving by J. Mynde after C.A. Coypel after M. de Cervantes Saavedra.

Don Quixote is tricked by Basilio into defending him against Camacho as the true lover of Quiteria. Engraving after C.A. Coypel.

Don Quixote kneels in armour to embrace the leg of a country girl whom he believes to be the heroine Dulcinea; Sancho Panza kneels beside him. Line engraving after C.A. Coypel.

Sancho Panza and Don Quixote, after sleeping in their saddles, discover in the morning that Sancho's ass has been stolen and replaced by four sticks. Line engraving after C.A. Coypel.

An episode in the play L'école des femmes by Molière: Horace, standing in a city street, asks Arnulphe (in disguise) to look after Agnès. Engraving by F. Joullain, 1726, after C.A. Coypel.