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9 results
  • Article
  • Article

How do advertisers get inside our heads?

| Charlie WilliamsSarah MarksDaniel Pick

Vance Packard exposed techniques of mass manipulation developed by 1950s advertisers that are still at work today in the age of big data.

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  • Article

Can isolation lead to manipulation?

| Charlie WilliamsSarah MarksDaniel Pick

Military-funded researchers wanted to know if isolation techniques could facilitate brainwashing. One neuroscientist suggested that it might improve our own control over our minds.

  • Interview
  • Interview

Inside the minds of Teeth’s two curators, James Peto and Emily Scott-Dearing

| Gwendolyn Smith

James Peto and Emily Scott-Dearing talk visceral reactions, their interactions and object extractions.

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The extraordinary body of Evatima Tardo

| Bess LovejoyCamilla Greenwell

Darling of 19th-century American freak shows, Evatima Tardo remained serene as she withstood crucifixion and the bites of poisonous snakes. But she took the secret behind her abilities to her grave.

  • Interview
  • Interview

Meet the climate emergency

| Gwendolyn SmithThomas S G Farnetti

Find out what led Yinka Shonibare to create the compelling artwork ‘Refugee Astronaut’.

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Can our sexual desires be transformed?

| Charlie WilliamsSarah MarksDaniel Pick

In the 1950s, many psychiatrists thought that homosexuality could be reformed. One found that it couldn’t – and his discoveries led to a change in the law.

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Louis Wain’s cryptic cats

| Bryony Benge-Abbott

Once famous for his quirky cat illustrations, today Louis Wain is often portrayed as a ‘psychotic’ artist whose illness can be mapped out through his drawings. Here Bryony Benge-Abbott takes a more rounded view.

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  • Article

How electromagnetic therapy inspired me

| Sarah James

Poet Sarah James explores how repetitive transcranial magnetic stimulation treated her depression and influenced her art.

  • Interview
  • Interview

Inside the mind of Ayurvedic Man’s curator, Bárbara Rodriguez Muñoz

| Gwendolyn Smith

The choices a curator makes – what goes in? what stays out? why? – are often as fascinating as the exhibition itself.