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8 results
  • In pictures
  • In pictures

Pum Dunbar’s living lessons

| Pum Dunbar

Read the ‘legends’ that give insight into Pum Dunbar’s creative process while producing her recent series of collages.

  • In pictures
  • In pictures

Dark Matter responds to ‘Epidemic threats and racist legacies’

| Dark Matter

Animated-collage artist Dark Matter brings his unique combination of live footage and archive imagery to respond to a text suggesting that the field of epidemiology emerged in the 19th century imbued with the doctrine of Western imperialism.

  • Photo story
  • Photo story

A portrait of me with my mother

| Camilla Greenwell

A series of portraits with stand-in mothers helped Camilla Greenwell to process her grief, and then to question whether our photograph albums are ever really honest.

  • Article
  • Article

How the Peckham Experiment inspired my fiction

| James Wilkes

Find out how an unruly mass of archive material from a 1930s radical health centre has inspired brand new writing.

  • Article
  • Article

Living in limbo when a loved one is missing

| Bev ThomasCamilla Greenwell

When someone goes missing, loved ones are thrown into a state akin to constant grieving; waiting for news, living in hope. Novelist Bev Thomas describes how they try to cope and carry on.

  • Article
  • Article

Conserving Audrey

| Elena Carter

Elena describes how specially designed storage allows Audrey’s scrapbooks to retain all traces of her creative process, although their intrinsic fragility means deterioration is almost inevitable.

  • Article
  • Article

Transforming the decorative into dissent

| Rachel May

Discover how embroidered messages by two ‘troublesome’ women in 19th-century asylums are mirrored in the therapeutic quilting work of writer Rachel May.

  • Article
  • Article

Digitising Audrey

| Elena CarterThomas S G Farnetti

Building digital images of what Audrey created means that her work can be frozen in time – for the digital version, at least, the process of decay is halted, and any number of people can view it without the risk of damaging it.