The art of painting in oil. Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil colours. The whole Treatise being so full, compleat, and so exactly sitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The sixth edition, with some alterations, and many Matters added, which are not to be found in the former Editions. To which added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M.

  • Smith, John, active 1673-1680.
Date:
MDCCLIII. [1753]
  • Books
  • Online

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About this work

Publication/Creation

London : printed for Dan. Browne, without Temple-Bar; and C. Hitch and L. Hawes, in Pater-Noster-Row, MDCCLIII. [1753]

Physical description

[8],110,[2]p. ; 120.

References note

ESTC T98428

Reproduction note

Electronic reproduction. Farmington Hills, Mich. : Thomson Gale, 2003. (Eighteenth century collections online). Available via the World Wide Web. Access limited by licensing agreements.

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