Concept
Painting, Industrial - Early works to 1800
Catalogue
- Books
- Online
The art of painting in oil. Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil-colours. The Whole Treatise being so full, compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Shash-Windows, &c. in Oily-Colours. The fifth impression, with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M.
Smith, John, active 1673-1680.Date: MDCCXXXVIII. [1738]- Books
- Online
The art of painting in oil. Wherein is included each particular circumstance relating to that art and mystery: containing the best and most approved rules for preparing, mixing, and working of oil colours. The whole Treatise being so full, compleat, and so exactly sitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil-Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The sixth edition, with some alterations, and many Matters added, which are not to be found in the former Editions. To which added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M.
Smith, John, active 1673-1680.Date: MDCCLIII. [1753]- Books
- Online
The art of painting in oyl. Wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able by these Directions, to Paint in Oyl Colours all manner of Timber-Work; that require either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oyl-Colours. The fifth impression with some alterations, and many Matters added, which are not to be found in the former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water-Colours. By John Smith, C. M.
Smith, John, active 1673-1680.Date: 1723- Books
- Online
The art of painting in oil. Wherein is included each particular circumstance relating to that art and mystery; with the best and most approved rules for the preparing, mixing, and working of oil-colours. The whole Treatise being so complete, and so exactly fitted to the meanest Capacity, that all Persons may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Pales, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Sash-Windows, &c. in Oil Colours. The ninth edition, revised and corrected. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints, with Water Colours. By John Smith, C. M.
Smith, John, active 1673-1680.Date: MDCCLXXXVIII. [1788]- Books
- Online
The art of painting in oyl. Wherein is included each particular circumstance relating to that art and mystery. Containing the best and most approved rules for preparing, mixing, and working of oyl colours. The whole Treatise being so full Compleat, and so exactly fitted to the meanest Capacity, that all persons whatsoever, may be able by these Directions, to paint in Oyl-Colours all manner of Timber work; such as Posts, Pails, Pallisadoes, Gates, Doors, or any thing else that requires either Use, Beauty, or Preservation, from the violence or Injury of the Weather. In which is also particularly laid down, all the several Circumstances required in Painting of Sun-Dials, Printed Pictures, Shash-Windows, &c. In Oily-Colours. The third impression with some alterations, and many Matters added, which are not to be found in the Two former Editions. To which is added, The whole Art and Mystery of Colouring Maps, and other Prints with Water Colours By John Smith C. M. Licensed, Rob Midgely.
Smith, John, active 1673-1680.Date: 1701