112 results
- Pictures
- Online
Thyme (Thymus vulgaris L.): entire flowering plant with separate floral segments. Coloured etching by M. Bouchard, 1775.
Date: [1775]Reference: 17116i- Pictures
- Online
The good samaritan helps a stranger by the roadside by pouring oil and wine on to his wounds. Woodcut.
Reference: 17890i- Pictures
- Online
The good Samaritan tending to the wounds of a half-dead man. Line engraving by G.H. Adcock after Dietrici.
Dietrich, Christian Wilhelm Ernst, 1712-1774.Reference: 17917i- Pictures
- Online
Rape or colza (Brassica napus L.): entire flowering plant with separate fruit and seeds. Coloured etching by M. Bouchard, 177-.
Reference: 17225i- Pictures
- Online
Rambutan (Nephelium lappaceum L.): fruiting branch and separate numbered inflorescence and seeds. Chromolithograph by P. Depannemaeker, c. 1885, after B. Hoola van Nooten.
Hoola, Berthe van Nooten.Date: [1885]Reference: 16390i- Pictures
- Online
The good Samaritan tending to a wounded man while a priest and a Levite walk on by. Line engraving by T. Cook, 1809, after W. Hogarth.
Hogarth, William, 1697-1764.Date: 1 May 1809Reference: 17911i- Pictures
- Online
Coriander (Coriandrum sativum L.): flowering and fruiting stem with separate root, fruit and floral segments. Coloured etching by M. Bouchard, 1778.
Date: [1778]Reference: 17444i- Pictures
- Online
The good Samaritan tending to a wounded man while a priest and Levite walk away. Line engraving by L. Masson after G. Freman.
Freman, G.Reference: 17902i- Pictures
- Online
The good Samaritan seeing to a man's wounds while a priest and Levite walk into the distance. Etching by W. Unger after F.G. Bassano the younger.
Bassano, Francesco da Ponte, 1549-1592.Reference: 17897i- Pictures
- Online
The good Samaritan helping a wounded man: two background scenes of robbing and assault while two figures walk by, set against Jerusalem. Line engraving by F. Berardi after G. Varana.
Varana, Giacomo.Reference: 17900i- Pictures
- Online
The good Samaritan tending the wounds of a half-dead traveller. Mezzotint by R. Robinson.
Robinson, Robert, -1706.Reference: 17909i- Pictures
- Online
The good Samaritan stopping to help treat a wounded man. Drawing by Jefferyes Hamett O'Neale.
O'Neale, Jefferyes Hamett, -1801.Date: 1700-1799Reference: 17914i- Pictures
- Online
The good Samaritan tending the wounds of a beaten robbed man. Etching by W. Cooke, 1807, after C.N.R. Lafonde.
Lafonde, Charles Nicolas Rafael, 1774-1835.Date: 1807Reference: 17908i- Books
The energy glut : climate change and the politics of fatness / Ian Roberts with Phil Edwards.
Roberts, Ian (Epidemiologist)Date: [2010], ©2010- Pictures
- Online
The good Samaritan helping a wounded man while a priest and Levite walk on. Line engraving by T. Cook after W. Hogarth.
Hogarth, William, 1697-1764.Reference: 18153i- Pictures
- Online
The good Samaritan stops to help a wounded man who has been previously ignored by a priest and Levite. Wood engraving by C.A. Zscheckel after J. Schnorr von Carolsfeld.
Schnorr von Carolsfeld, Julius, 1794-1872.Date: 1800-1899Reference: 17913i- Books
Food myths debunked : why our food is safe / James W. Cooper.
Cooper, James W, 1943-Date: 2014- Pictures
John Honing. Oil painting, after 1585.
Date: 1585Reference: 45678i- Digital Images
- Online
Helianthus annuus Greene Asteraceae. Sunflower, Marigold of Peru, Floure of the Sun. Distribution: Peru and Mexico. It was much recommended by Gerard (1633) who advises that the buds, covered in flour, boiled, and eaten with 'butter, vinegar and pepper, far surpass artichokes in procuring bodily lust’. Sadly, today only the seeds of sunflower are consumed, as the source of sunflower seed oil used in cooking. It contains mono and polyunsaturated fats, linoleic acid and oleic acid, and is low in saturated fats. As such it was thought to lower cholesterol and so the risk of heart disease, but it may increase the risk of breast and prostatic cancer. However a recent report BMJ2013
Dr Henry Oakeley- Books
- Online
The handmaid to the arts, ... . Teaching, I. A perfect knowledge of the materia pictoria: or the nature, use, preparation, and composition, of all the various substances employed in Painting; as well vehicles, dryers, &c. as colours: including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by off-tracing, calking, reduction, or other means: with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, and Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold sizes, and other necessary compositions: -the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced: - and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to profest artists; as to initiate those who are desirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayous, encaustic, enamel, varnish, distemper, and fresco; as also in gilding, &c.
Dossie, Robert, -1777.Date: MDCCLXIV. [1764]- Books
- Online
The handmaid to the arts, teaching, I. A perfect knowledge of the materia pictoria: or the nature, use, preparation, and composition, of all the various substances employed in painting; as well vehicles, dryers, &c. as colours: including those peculiar to enamel and painting on glass. II. The several devices employed for the more easily and accurately making designs from nature, or depicted representations; either by off-tracing, calking, reduction, or other means: with the methods of taking casts, or impressions, from figures, busts, medals, leaves, &c. III. The various manners of gilding, silvering, and bronzing, with the preparation of the genuine gold and silver powders, and imitations of them, as also of the fat oil, gold sizes, and other necessary compositions:-the art of japanning as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced:-and the method of staining different kinds of substances with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to artists; as to initiate those, who are desirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, enamel, varnish, and fresco; as also in gilding, &c.
Dossie, Robert, -1777.Date: MDCCLVIII. [1758]- Books
- Online
The handmaid to the arts, ... . Teaching, I. A perfect knowledge of the materia pictoria, r, the nature, use, preparation, and composition of all the various substances employed in Painting, as well vehicles, dryers, &c. as colours; including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by offtracing, calking, reduction, or other means; with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold fixes, and other necessary compositions;- the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced;-and the method of Staining Different Kinds Of AtSubstances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to professed artists, as to initiate those who are defirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayons, encaustic, enamel, varnish, distemper, and fresco, as also in gilding, &c.
Dossie, Robert, -1777.Date: MDCCLXIV. [1764]- Books
Death by food pyramid / Denise Minger.
Minger, Denise, 1987-Date: [2013]- Digital Images
- Online
Olea Euroapaea (Olive)
Rowan McOnegal- Ephemera
Heart disease ephemera. Box 2.