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11 results
  • Article
  • Article

The secret hystery of a womb

| Anna Blundy

A Renaissance image of a caesarean section inspired Anna Blundy to recount the story of a hidden, perhaps mysterious part of her body.

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Printing the body

| Julia Nurse

The 18th century saw multiple technical developments in both printing and medicine. Colourful collaborations ensued – to the benefit of growing ranks of medical students.

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Do you see what I see?

| Kirsten Riley

Is reality actually what you see, or just an elaborate illusion?

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Born different

| Chris North

For Chris North, being born intersex in the 1940s meant his many childhood hospital visits, tests and operations were not explained or discussed. As he reveals, doctors encouraged strict secrecy.

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The relationship between science and art

| Victoria Kingston

Often seen as opposites, science and art both depend on observation and synthesis.

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Drawing the human animal

| Allison C Meier

We might try to deny our animal instincts, but this series of extraordinary 17th-century drawings suggests they are only too apparent.

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Ken’s ten: looking back at ten years of Wellcome Collection

| Ken Arnold

Wellcome Collection founder Ken Arnold picks his favourite exhibits.

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Fantastic beasts and unnatural history

| Cassidy Phillips

Find out how a 17th-century compendium of the natural world came to present fantastical beasts –like dragons – as real, living creatures.

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Pain and the power of touch

| Fiona MurphyCamilla Greenwell

As a new physiotherapist, Fiona Murphy quickly learned that her patients’ pain was unpredictable and very personal. But using the right words became the key to helping them.

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The shape of thought

| Richard WingateSteven Pocock

Santiago Ramón y Cajal’s description of the moment in 1887 when he saw a brain cell for the first time never fails to move neuroscientist Richard Wingate to tears. Here he captures that enduring sense of wonder.

  • Book extract
  • Book extract

Ayurveda: Knowledge for long life

| Aarathi Prasad

The story of medicine in India is rich and complex. Aarathi Prasad investigates how it came to be this way.