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Conserving Audrey
Elena describes how specially designed storage allows Audrey’s scrapbooks to retain all traces of her creative process, although their intrinsic fragility means deterioration is almost inevitable.
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Digitising Audrey
Building digital images of what Audrey created means that her work can be frozen in time – for the digital version, at least, the process of decay is halted, and any number of people can view it without the risk of damaging it.
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Hunting lost plants in botanical collections
A bark specimen at Kew recalls the story of a South American man who harvested the most potent source of the only effective malaria treatment available in the late 1800s. Killed for his work and forgotten by history, Manuel Mamani was a victim of the colonial juggernaut.
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In the tracks of Derek Jarman’s tears
Researcher E K Myerson shares her moving encounters with the personal papers of artist and filmmaker Derek Jarman.
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Who was Audrey Amiss?
Elena Carter introduces the vast collection left behind by artist Audrey Amiss, who documented her life in astonishing detail.
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Unravelling genetic origins from the potato to cinchona
Starting with the humble potato, Nataly Allasi Canales reveals how researchers unearth the genetic origins of modern plant varieties, and explains why their work is so important for biodiversity.
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The indelible harm caused by conversion therapy
With first-hand evidence from two powerful testimonies, neurologist Jules Montague explores the destructive history of conversion therapy, a punitive treatment designed to ‘cure’ people of homosexuality.