- Article
- Article
Dynamo on the past, present and future of magic
The magician takes a tour and shares stories of history and inspiration.
- Article
- Article
How the magician’s assistant creates the illusion
Without breaking the spell, performer Naomi Paxton reveals the subtle ways the magician’s assistant helps the audience to keep believing.
- In pictures
- In pictures
The original drama of operating theatres
Medicine as ‘theatre’ began in the 16th century, when paying audiences enjoyed candlelight, live music – and a cadaver being dissected in front of them, all the in name of education.
- In pictures
- In pictures
Medicine Now... then
A look back at highlights from Medicine Now, an exhibition from 2007 where artists and audiences explored the connections between contemporary medicine, life and art.
- Article
- Article
Western magic’s fascination with the foreigner
Could modern magic shows be perpetuating damaging cultural stereotypes? Shelley Saggar shows how ‘exotic’ costumes and imagery are far from harmless fun.
- Article
- Article
The extraordinary body of Evatima Tardo
Darling of 19th-century American freak shows, Evatima Tardo remained serene as she withstood crucifixion and the bites of poisonous snakes. But she took the secret behind her abilities to her grave.
- Article
- Article
The politics and power of audio-description
Traditional theatre audio-description often lets down artists and audiences. But, done well, it has the potential to be a force for creativity as well as accessibility.
- Article
- Article
Performance art, frozen in time
For over a year, live performance art with an audience present has been largely impossible. But still images continue to allow artists in this sphere to inspire audiences at home.
- Article
- Article
Shame, condemnation and conscience
Where does shame comes from and what fuels it? Lucia Osborne-Crowley explores audience, gender and the difference between shame and guilt, asking if either can ever be useful.
- In pictures
- In pictures
Zines from the in-between
Zines, because they are messy, unconventional and personal, are the ideal vehicle for describing the in-between, liminal parts of life. Lea Cooper is a researcher and zine-maker who has been delving into Wellcome’s zines collection.
- Article
- Article
Giving shape to sound
Fascinated by language and how music feels, Deaf rapper Signkid creates tracks that give shape to sound. He discusses inspiration, access and performing for all audiences, D/deaf and hearing alike.
- Article
- Article
Crime drama and the realistic cadaver
Today we are accustomed to the increasingly realistic look of dead bodies in on-screen dramas. Special-effects expert Hildegunn M S Traa reveals how crime and morgue scenes reflect the social idea of death.
- Article
- Article
Sick of the theatre
What makes the stage a good place to share real-life experiences of ill health?
- Article
- Article
The making of ‘Quacks’
How do you create a medical comedy that’s authentic and laugh-out-loud funny?
- Article
- Article
The freedom to provoke
Jamie Hale talks to performer and director Emma Selwyn about the joy of creating work that celebrates, rather than suppresses, autistic behaviours.
- Interview
- Interview
How to design an HIV awareness campaign
Using carefully crafted, colourful graphics is one public health team’s creative approach.
- Article
- Article
Sex in graphic novels
Sex and sexuality have long been explored in the history of the graphic novel.
- Interview
- Interview
Inside the mind of Somewhere in Between’s curator, Laurie Britton Newell
The exhibition's curator shares her secrets.
- Article
- Article
‘Jessy’, a film about cerebral palsy
How the 1950s British film industry portrayed this disease.
- Article
- Article
Charged bodies
Electrified humans brought education and performance together with a spark in the 18th century.
- Article
- Article
Eels and feels
For Georgian Londoners, the allure of electric animals was both intellectual and sensual.
- Article
- Article
Daria Martin on ‘Sensorium Tests’ and ‘At the Threshold’
- Article
- Article
The catharsis of cringe
Watching cringe comedy can be therapeutic. Find out why some of us are drawn to the build-up of stress in shows like ‘Frasier’ and ‘The Office’.
- Article
- Article
In celebration of LGBTQ+ comedy
At school, homophobic jokes made Ella Braidwood feel uncomfortable and ashamed. Fast-forward to today’s inclusive comedy scene, and her very different feelings of hope and happiness.
- Article
- Article
Talent, tech and visual art
Jamie Hale finds a combination of talent and technology are crucial when it comes to creating great visual art, but how do you keep working when your circumstances are in constant flux?