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42 results
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Air of threat

| Chloe AridjisMichael Salu

Novelist Chloe Aridjis vividly describes the suffocating atmosphere of Mexico City, as a combination of topography, crowded neighbourhoods, and reckless political diktats create a downward spiral.

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The white tears of Taranaki

| Sarah Alice HopkinsonCat O’Neil

Taranaki in Aotearoa, New Zealand, is home to the world’s largest dairy factory. Sarah Hopkinson questions the price paid by an area dominated by monoculture.

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Medics, migration and the NHS

| Cal Flyn

In the 1960s the NHS became Britain’s biggest employer. So to help fill all those jobs, the government brought in thousands of workers from abroad.

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Maria McKinney on ‘Sire’

| Maria McKinney

All my grandparents were farmers; I grew up in the countryside surrounded by farms and helped neighbours herd sheep and cattle into the field. My body of work called ‘Sire’ looks at the genomics of modern cattle breeding.

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My rainforest upbringing

| Nataly Allasi CanalesCat O’Neil

In the introduction to her serial, research biologist Nataly Allasi Canales charts the influences that led her to passion for preserving the species of the Peruvian Amazon, where she spent her childhood.

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Divining the world through an artist’s almanac

| Amanda Couch

Amanda Couch's artists book, 'Huwawa in the Everyday: an almanac' is inspired by the entrail like folds of a medieval folding and its function as a guide for astrological divinations linking the body, health and the heavens. Like the original almanac her work is designed to be carried out into the wider world.

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Duelling doctors

| Russell Moul

An enduring enthusiasm for 18th-century gentlemen to defend their ‘honour’ by duelling placed doctors in a delicate position. Specially when they faced being shot themselves.

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Shame, condemnation and conscience

| Lucia Osborne-CrowleyEduardo Rubio

Where does shame comes from and what fuels it? Lucia Osborne-Crowley explores audience, gender and the difference between shame and guilt, asking if either can ever be useful.

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NHS Blue: the colour of universal healthcare

| Cal Flyn

The 1980s and 1990s saw ideas from the world of business infiltrating the NHS, including the introduction of an internal market, followed by a corporate branding exercise.

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Epidemic threats and racist legacies

| Jacob Steere-WilliamsDark Matter

Epidemiology is the systematic, data-driven study of health and disease in populations. But as historian Jacob Steere-Williams suggests, this most scientific of fields emerged in the 19th century imbued with a doctrine of Western imperialism – a legacy that continues to influence how we talk about disease.

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Is fake news killing fictive art?

| A R Hopwood

Parafictional artists create projects where the imaginary interacts with real life. But the growth of so-called ‘fake news’ is providing a new challenge.

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On nature cures and taking the waters

| Jessica J LeeFaye Heller

When chilly outdoor swims began to chip away at her depression, Jessica J Lee was drawn to a closer study of the complex natural world around her.

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Rediscovering a love of the game

| Lara GoodwinCarolina Altavilla

Sexism and homophobia in football prompted Lara Goodwin to stop playing the sport at 19. Today, while discrimination in the game is still rife, Lara has found hope – and like-minded players – in an inclusive east London club.

  • Photo story
  • Photo story

My body, my hair

| Farah EssetEden Rickson

To depilate or not to depilate? Farah Esset and Eden Rickson share a collection of personal pictures and stories that explore the intimate interplay between body hair and identity.

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Does mass media pave the way to fascism?

| Charlie WilliamsSarah MarksDaniel Pick

In the aftermath of World War II, psychoanalysts found the psychological roots of authoritarianism closer to home than was comfortable.

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The tradesman who confronted the pestilence

| Anna Faherty

The City of London, 1665. As the Great Plague hits the capital, John New faces a deadly dilemma.

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Pain, politics and the power of photography

| Giulia Smith

Art historian Giulia Smith explains what she most admires in the work of Jo Spence and Oreet Ashery, and how their approach makes illness political.