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  • Experiments and observations on the gastric juice, and the physiology of digestion / By William Beaumont. Reprinted from the Plattsburgh edition, with notes by Andrew Combe.
  • Lord Brougham shears a mock sheep with the head of Lord Melbourne, and Sir William Molesworth combs Lord Glenelg. Coloured lithograph by H.B. (John Doyle), 1838.
  • Four scenes from W. Combe's verse Dr. Last or the devil upon two sticks, a parody of the Royal college of physicians and John Fothergill (in particular). Engraving, 1771, after W. Combe.
  • Four scenes from W. Combe's verse Dr. Last or the devil upon two sticks, a parody of the Royal College of Physicians, and in particular John Fothergill. Engraving after W. Combe.
  • Four scenes from W. Combe's verse Dr. Last or the devil upon two sticks, a parody of the Royal college of physicians and in particular John Fothergill. Engraving after W. Combe.
  • Doctor and Mrs Syntax, with other elderly people, taking laughing gas in the house of a tooth-drawer in Paris. Coloured aquatint, 1820.
  • Doctor and Mrs Syntax, with other elderly people, taking laughing gas in the house of a tooth-drawer in Paris. Coloured aquatint, 1820.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • Suttee, with Lord Hastings shown as accepting bribes to allow its continuation. Coloured aquatint by T. Rowlandson, 1815, after Quiz.
  • A good servant, represented as a hybrid creature combining a man, a pig, an ass and a deer, carrying cleaning implements and having a padlocked mouth. Engraving after J. Hoskins.
  • A good servant, represented as a hybrid creature combining a man, a pig, an ass and a deer, carrying cleaning implements and having a padlocked mouth. Engraving, 1749, after J. Hoskins.
  • The Medical Society of London: John Coakley Lettsom presenting to the society the deeds of 3 Bolt Court, City of London. Stipple engraving by N.C. Branwhite, 1801, after S. Medley, 1800.
  • The dance of death: the battle. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the battle. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the prisoner discharged. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the glutton. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the virago. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the careless and the careful. Coloured aquatint after T. Rowlandson, 1816.
  • The Dance of death: frontispiece. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the sot. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the urchin robbers. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the courtship. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the catchpole. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the apothecary. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the insurance office. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the schoolmaster. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the porter's chair. Coloured aquatint after T. Rowlandson, 1816.
  • The dance of death: the chamber war. Coloured aquatint after T. Rowlandson, 1816.