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  • Institut national de la recherche agronomique : Station de pathologie de la reproduction : Centre de recherches vétinaires et zootechniques de Tours-L'Orfrasière : 37, Nouzilly, France ...
  • A bibliographical, antiquarian, and picturesque tour in France and Germany / By the Rev. Tho. Frognall Dibdin.
  • "Le Tour de France", a cartoon sequence depicting two gay men sunbathing on a beach reading the numerous amorous conquests of Pierre in his holiday diary; an advertisement for the SIDA Info Service. Colour lithograph by J. Cuneo.
  • Two heads joined by the red AIDS ribbon shape with the words: "tous contre le SIDA. F. Boisrond'; an advertisement for the fight against AIDS by the MNEF (Mutuelle Nationale des Étudiants de France) sponsored by numerous French radio stations. Colour lithograph.
  • Paris: the Hôtel de Nevers (left) and the Tour de Nesle (right). Etching.
  • A face drawn in black lines with yellow highlights against a striped grey square background with upside down text at the top bearing the message in French: "It is easy to die" and the right way up at the bottom: "It may be difficult to live"; an advertisement for AIDS prevention by L'Alexandra. Colour lithograph by Gilbert Theillin.
  • The massacre of Huguenots at Tours: men and women are shot by soldiers, slaughtered with swords or clubbed to death in the water by townsfolk. Woodcut by J. Perrissin, ca. 1570.
  • The massacre of Huguenots at Tours: men and women are shot by soldiers, slaughtered with swords or clubbed to death in the water by townsfolk. Woodcut by J. Perrissin, ca. 1570.
  • Paris: the Hôtel de Nevers (left) and the Tour de Nesle (right). Etching.
  • Eiffel Tower, Paris: Thomas Alva Edison and another man chatting at the base of the tower. Photograph, 1889.
  • Eiffel Tower, Paris: Thomas Alva Edison and Adolphe Salles standing by railings on a platform of the tower. Photograph, 1889.
  • Saint Martin of Tours. Coloured lithograph after L.C. Maréchal, 1844.
  • An armless veteran of the Hôtel des Invalides is hired as a guide for visitors, in order that he take no money from them. Coloured lithograph by Cham.
  • Feeding vessel from an infant's grave, Late Neolithic.
  • A woman looks at herself in her mirror; a man looks through a telescope; representing the sense of sight. Engraving by A. Bosse after himself, ca. 1650.
  • A man caresses a woman; representing the sense of touch. Engraving by A. Bosse after himself, c. 1650.
  • People eating and drinking before a tapestry; representing the sense of taste. Engraving by A. Bosse after himself, c. 1650.
  • A group of musicians; representing the sense of hearing. Engraving by A. Bosse, c. 1650.
  • People smelling flowers on the steps of an ornamental garden; representing the sense of smell. Engraving by A. Bosse after himself, ca. 1638.
  • An island in the Seine with the River Goddesses of the Oyse, the Marne and the Seine displaying the royal coat of arms in front of the Louvre. Etching by I. Silvestre, 1654.
  • Charles M. Wilson in SHM Rugby Team, 1908
  • Henri Duc de Guise has his hand trapped in a split tree trunk when the two parts of the tree are brought together, contrary to Nature; the tree representing the family tree of the kings of France, which diverges into a Valois branch and a Bourbon (Navarre) branch. Etching.
  • Paris: a woman cooking chestnuts in a flat pan over a small brazier. Coloured aquatint with etching, 1805.
  • Paris: a woman cooking chestnuts in a flat pan over a small brazier. Coloured aquatint with etching, 1805.
  • Joseph Jackson Lister: Journal of a tour of the Continent
  • Bagnères de Bigorre, Pyrenees: view looking along the Rue de l'Horloge to the Tour des Jacobins (tower). Coloured lithograph by J. Jacottet and A. Bayot, 1842.
  • A man kneeling in front of a judge at a Chinese court of justice. Wood engraving after E. Vaumort.
  • A Chinese woman carrying a baby on her back is feeding her husband who is imprisoned in a circular pillory. Engraving (?), ca. 1860.
  • A Chinese woman carrying a baby on her back is feeding her husband who is imprisoned in a circular pillory. Wood engraving, ca. 1850.
  • Martyrdom of Saint Andrew. Engraving by J. Frey after C. Maratta.