Wellcome uses cookies.

Read our policy
Wellcome Collection homepage
All
Stories
Images
Catalogue
Events
28 results
  • Baroness Burdett-Coutts' garden party at Holly Lodge, Highgate, for members of the International Medical Congress, 1881. Oil painting by Archibald Preston Tilt and/or Alfred Preston Tilt and/or Arthur Preston Tilt, 1881-1882.
  • Baroness Burdett-Coutts' garden party at Holly Lodge, Highgate, for members of the International Medical Congress, 1881. Oil painting by Archibald Preston Tilt and/or Alfred Preston Tilt and/or Arthur Preston Tilt, 1881-1882.
  • An iron-founder's forge. Mezzotint by R. Earlom, 1773, after J. Wright, 1772.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Self-protection : today, Trasidrex provides protection for the 'heart-at-risk'.
  • Two actors pose on stage: a man wearing top hat and tails gazes down at a man in drag. Photographic postcard, 192-.
  • Two actors pose on stage: a man wearing top hat and tails gazes down at a man in drag. Photographic postcard, 192-.
  • An sailor poses in drag, wearing heavy fabric and a headband. Photographic postcard, ca. 1915-1916.
  • An sailor poses in drag, wearing heavy fabric and a headband. Photographic postcard, ca. 1915-1916.
  • The parents of the artist. Watercolour by M. Bishop, 1965.
  • The parents of the artist. Watercolour by M. Bishop, 1965.
  • A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving by Benard, 1779, after a woodcut, 1543.
  • A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving by Benard, late 18th century, after a woodcut, 1543.
  • A skeleton in motion. Lithograph, 18--.
  • A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543.
  • Ages of man: third stage, from the age of thirty two to forty eight and the classical orders of architecture: ionic. Engraving by J. Wierix, 1577, after J. Vredeman de Vries.
  • A human skeleton, seen from the front, resting the bones of his right forearm on a spade handle, after Vesalius. Engraving 1778, after an engraving by Prevost, 1762, after a woodcut, 1543.
  • Four skeletons in motion. Lithograph, 18--.
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • A man riding on a horse which is pulling a wagon loaded with masonry, while another man attempts to keep the wagon steady. Engraving by S. à Bolswert after Sir Peter Paul Rubens.