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144 results
  • The creation. Mezzotint by J. Martin.
  • The dance of death: the creation. Woodcut by Hans Holbein the younger.
  • The creation of Adam. Engraving by D. Cunego, 1772, after Michelangelo.
  • Altar piece, Salerno Cathedral: the Creation.
  • Children playing with various toys, in the background are paintings of the Creation and the creation of Adam. Engraving by A. Bosse, 1636.
  • Children playing with various toys, in the background are paintings of the Creation and the creation of Adam. Engraving by A. Bosse, 1636.
  • Vestiges of the natural history of creation / [Anon].
  • The Creation: episodes in the book of Genesis. Oil painting.
  • The Creation: episodes in the book of Genesis. Oil painting.
  • The Creation: episodes in the book of Genesis. Oil painting.
  • The Creation: episodes in the book of Genesis. Oil painting.
  • The Creation: episodes in the book of Genesis. Oil painting.
  • God enjoys the Creation and creates Eve. Line engraving.
  • M0006379: Wellcome Historical Medical Museum display: "The Ancient Mexican Creation Myth"
  • M0006380: Wellcome Historical Medical Museum display: "Creation of the world as a handicraft"
  • The six stages of the Creation as described in the first chapter of Genesis. Etching, ca. 1790.
  • Cosmology: creation of the heaven and the earth. Engraving by G. van der Gouwen after G. Hoet.
  • The fourth day of Creation: God creates the sun, moon and stars. Line engraving by Thomas de Leu.
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation
  • God appears in a circle surrounded by images from the stories of the Creation, Adam and Eve, and Noah. Line Engraving.
  • The third day of Creation: God creates the fertile earth. Line engraving by E. van den Bosche after M. de Vos.
  • A blinding light descends on Eden in the creation of man and the animals. Etching by J.E. Ridinger after himself, c. 1750.
  • The second day of Creation: God, suspended in the clouds, divides the heavens from the waters. Line engraving by T. de Leu after M. de Vos.
  • The first day of Creation: God, borne by a cloud, divides the light from the darkness. Line engraving by T. de Leu after M. de Vos.
  • The first day of Creation: God, borne by a cloud, divides the light from the darkness. Line engraving by T. de Leu after M. de Vos.
  • The first day of Creation: God, borne by a cloud, divides the light from the darkness. Line engraving by T. de Leu after M. de Vos.
  • Ernst Haeckel being tormented by Prussian cherubim who confront his work on the natural history of creation with the Almanach de Gotha. Drawing attributed to Max Hagen.
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • Adam is standing in the garden of Eden looking up to the godhead while being surrounded by the animals of the creation. Coloured engraving by J. Pass after C. P. Marillier.