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  • Saint Gaetano in a church, holding the Bible. Colour lithograph.
  • David Livingstone memorial in Blantyre; Livingstone reading the Bible to a group of African men. Photoprint.
  • Seal of Gedaliah, Keller's The Bible as history in pictures
  • Obelisk at Heliopolis, known in the Bible as On, Egypt. Coloured lithograph by Louis Haghe after David Roberts, 1848.
  • The birth of Christ; in the background, shepherds are hailed by an angel. Engraving.
  • Episodes in the Bible and examples of devotional practice. Collage of colour lithographs and process prints after Harold Copping and others.
  • Saint Geneviève seated under a Gothic canopy, holding the Bible; a lamb at her side; a church in the background. Coloured engraving, ca. 1800.
  • An angel appears to some shepherds in the night. Engraving by J. Sadeler after J. Bassano.
  • The adoration of the shepherds in a darkened barn. Aquatint with etching by D. Vivant-Denon after N. Maes.
  • A young woman in distress at an altar being pressed by a cleric to read a passage of the Bible. Engraving by F. Bacon after Solomon Hart.
  • Saint Geneviève is holding the Bible and a torch which an angel lights with a candle but a devil tries to extinguish with bellows; Notre Dame Cathedral in the background. Engraving.
  • Saint Gaetano kneeling, looking up at the Virgin and Christ seated on a cloud amid cherubs; cherub holding the Bible in the foreground. Engraving by G.B. Cipriani after A.D. Gabbiani, ca. 1760.
  • The adoration of the shepherds at the birth of Christ in the presence of John the Baptist and Saint Elizabeth. Engraving after L. Lombard (?).
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • Jacob arrives among the shepherds of Haran; he falls in love with Rachel at first sight. Engraving by C.N. Cochin the elder, 1732, after F. Le Moine.
  • Greenwich, with London in the distance. Engraving by H. Bond after T. H. Shepherd.
  • The British Museum in Montague House: the Great Russell Street facade. Engraving after T. H. Shepherd.
  • The British Museum in Montague House: the Russell Street façade. Coloured aquatint after T.H. Shepherd.
  • A shepherd, in mountain costume, holding a crook, standing on a hilly landscape in the Pyrenees. Coloured lithograph.
  • University College, London: the main building in Gower Street. Engraving by W. Wallis after T. H. Shepherd, 1828.
  • Shepherd's Friend : a speedy and an effectual cure for the foot halt in sheep, &c. / Hopkinson & Co.
  • Figures strolling in the grounds of the New Merchant Maiden Hospital, Edinburgh, Scotland. Line engraving by J. Hershall after T.H. Shepherd.
  • A figure standing in the gardens of Surgeon's Square, Edinburgh, Scotland. Line engraving by T. Barber, 1830, after T.H. Shepherd.
  • City of London Lying-in Hospital: three-quarter view of the facade. Coloured engraving by J. Gough after T. H. Shepherd.
  • A figure standing in the gardens of Surgeon's Square, Edinburgh, Scotland. Line engraving by T. Barber, 1830, after T.H. Shepherd.
  • St Bartholomew's Priory, London: the interior looking towards the altar with the artist seated in a pew, drawing. Engraving by B. Howlett, 1822, after T. H. Shepherd, 1821.