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  • The expert witness : and the applications of science and of art to human identification, criminal investigation, civil actions & history / by C. Ainsworth Mitchell.
  • The expert witness : and the applications of science and of art to human identification, criminal investigation, civil actions & history / by C. Ainsworth Mitchell.
  • The expert witness : and the applications of science and of art to human identification, criminal investigation, civil actions & history / by C. Ainsworth Mitchell.
  • The expert witness : and the applications of science and of art to human identification, criminal investigation, civil actions & history / by C. Ainsworth Mitchell.
  • The expert witness : and the applications of science and of art to human identification, criminal investigation, civil actions & history / by C. Ainsworth Mitchell.
  • The expert witness : and the applications of science and of art to human identification, criminal investigation, civil actions & history / by C. Ainsworth Mitchell.
  • A group of figures from antiquity are led into a garden by a woman with a telescope and a hand mirror. Etching.
  • Wisdom shows Britannia the measurements of the globe; figures representing other continents stand watching. Engraving by W. Swift after W.M. Craig.
  • Putti plan war manoeuvres on maps with the help of geometrical diagrams; representing geometry and military science. Etching by B. Picart, 1729, after himself.
  • Putti deprive a bird of air in a vacuum experiment, one plays at billiards, another plays with magnetised keys, while outside a storm rages: representing physics. Etching by B. Picart, 1729, after himself.
  • Scientific instruments and attributes of philosophy: gyroscopes, telescope, pestle and mortar, cosmological manuals, natural history specimens etc.. Lithograph by J-B-J. Jorand, 1835.
  • Apollo, god of literature, plays his harp; a town goes about its rituals. Engraving by J. Sadeler after J. van der Straet, 1594.
  • Demonstrations of the arts and sciences in a classical courtyard. Etching by J. Sturt after S. Le Clerc.
  • A mathematician draws a semi-circle while Minerva watches over him. Engraving by R. Sadeler, 1591, after M. de Vos.
  • A classical courtyard filled with natural philosophers, scientists and artists. Engraving after S. Le Clerc.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.
  • An invocation to I-em-hetep, the Egyptian deity of medicine. Oil painting by Ernest Board.
  • Paris: a woman cooking chestnuts in a flat pan over a small brazier. Coloured aquatint with etching, 1805.
  • Paris: a woman cooking chestnuts in a flat pan over a small brazier. Coloured aquatint with etching, 1805.
  • The game of goose applied to the countries of the world. Engraving by Antoine de Fer after Louis Richer.
  • The game of goose applied to the countries of the world. Engraving by Antoine de Fer after Louis Richer.
  • The game of goose applied to the countries of the world. Engraving by Antoine de Fer after Louis Richer.