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39 results
  • The name "H. Cline"; the outline of a femur; and studs. Relief etchings by Henry Cline, 1784/1811.
  • The name "H. Cline"; the outline of a femur; and studs. Relief etchings by Henry Cline, 1784/1811.
  • The name "H. Cline"; the outline of a femur; and studs. Relief etchings by Henry Cline, 1784/1811.
  • Relief of Jeffery Hudson, a dwarf, and Walter Parsons, a giant. Etching.
  • Seven ancient utensils reconstructed from bas-reliefs etc. Etching by L. Roccheggiani, ca. 1811.
  • Bas-reliefs of the conjoint twins called the Biddenden Maids, and five other subjects. Etching, 1775.
  • The adoration of the magi. Etching by J. Swaine after R. Shipster after medieval bas-relief.
  • A bas relief of Neptune, Jupiter, and three other figures, on the temple of Minerva Pallas. Etching by J. Barbault.
  • A marble tablet sculpted in relief with trophies and ornaments illustrating the magnificence of the ancient Romans. Etching by G.B. Piranesi, 1761.
  • A marble tablet sculpted in relief with trophies and ornaments illustrating the magnificence of the ancient Romans. Etching by G.B. Piranesi, 1761.
  • Female figures representing the elements of air, earth and water. Etching by G. Vascellini after A. Fedi the elder after bas-relief in Florence.
  • Men gathering around an ancient relief in a landscape outside Paris with a view of a castle in the distance. Etching by C. Goyrand.
  • An ornate garden obelisk with a battle scene carved in relief on the base. Etching by J. Schynvoet after S. Schynvoet, early 18th century.
  • An ornate garden obelisk with a triumphal procession carved in relief on the base. Etching by J. Goeree after S. Schynvoet, early 18th century.
  • A large, ornate vase with figures partying carved in relief on the side, in a classical garden. Etching by J. Schynvoet, c. 1701, after S. Schynvoet.
  • Crests and coats-of-arms of several doctors from a bas-relief in the Beauchamp tower. Etching by J. Pye the younger, 1821, after F. Nash.
  • The diminished Napoleon before his despondent relief troops squeezed into the skeletons of their predecessors, referring to French military losses. Coloured etching by G. Cruikshank, 1813.
  • The diminished Napoleon before his despondent relief troops squeezed into the skeletons of their predecessors, referring to French military losses. Coloured etching by G. Cruikshank, 1813.
  • A large, ornate vase with figures joining hands carved in relief on the side, in a classical garden. Etching by J. Schynvoet, c. 1701, after S. Schynvoet.
  • An ornate vase and pedestal with a young soldier courting a woman carved in relief on the side. Etching by J. Schynvoet, c. 1701, after S. Schynvoet.
  • An ornate vase and pedestal with a man and woman making axe sheaths carved in relief on the side. Etching by J. Schynvoet, c. 1701, after S. Schynvoet.
  • A Scotsman in Highland dress seated with his legs down two latrines, grasping the "Act for establishing Popery"; representing the Scottish rejection of the Catholic Relief Act. Etching, 1779.
  • The adoration by the magi of Christ, shown as young and old. Etching by J. Basire the elder, 1794, after J. Carter, after a bas-relief in Long Melford church, Suffolk.
  • A well head carved with fish motifs, a metal ladle with a snake-handle, a funerary urn, and a terracotta relief of the caduceus and other objects. Etching by L. Roccheggiani, ca. 1811.
  • Aeneas carrying his father Anchises on his shoulders holding the household gods, as they escape from the sack of Troy. Colour relief etching by Elisha Kirkall, 1722, after Ugo da Carpi, 1518, after Raphael.
  • Aeneas carrying his father Anchises on his shoulders holding the household gods, as they escape from the sack of Troy. Colour relief etching by Elisha Kirkall, 1722, after Ugo da Carpi, 1518, after Raphael.
  • A Roman soldier and an old man walking among colossal Greek and Roman inscriptions and reliefs; a Greek fragment representing horses and a man's head in the foreground. Etching by A. Cardon after G. Bracci, ca. 1766.
  • A man with an eye patch and a pipe is talking to two other men. Glyphograph after George Cruikshank.
  • Two travellers walking through a forest are alarmed to see armed men following them; advertising Phosphatine Falières infant food. Colour photorelief by Devambez after M. Leloir.
  • Newly emerging infectious diseases: patients in hospital. Relief print by Eric Avery, 2000.