Wellcome uses cookies.

Read our policy
Skip to main content
266 results
  • A family sees Death's reflection in a mirror. Etching.
  • Picture of building, Kabul, in snow with reflection in water.
  • A woman engaged in reflection. Drawing, c. 1794, after N. Poussin.
  • A family sees the reflection of Death in a mirror. Etching.
  • A woman lost in reflection: profile. Drawing, c. 1794, after N. Poussin.
  • Optics: diagrams of reflection and refraction of light. Coloured engraving by J. Pass, 1819.
  • Optics: diagrams of reflection and refraction of light. Coloured engraving by J. Pass, 1820.
  • Optics: diagrams of reflection and refraction of light. Coloured engraving by J. Pass, 1820.
  • Optics: diagrams of reflection and refraction of light. Coloured engraving by R. & E. Williamson, 1820.
  • Optics: diagrams of reflection and refraction of light. Coloured engraving by R. & E. Williamson, 1820.
  • The Taj Mahal, Agra, India; its reflection in the pool in the foreground. Photograph, ca. 1900.
  • Lake George, New York: the Horicon paddle-steamer showing a clear reflection in the water. Photograph, ca. 1880.
  • Yosemite National Park, California: Glacier Point with its reflection showing in Mirror Lake: panoramic view: section two. Photograph, ca. 1880.
  • A man looking at his reflection in a mirror (?) with a dog at his feet. Gouache painting by an Indian artist(?).
  • A dog sitting on a tree trunk that bridges a river gazing at its own reflection. Steel engraving by C. Cousen after E. H. Landseer.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • An Englishman is startled when he sees his reflection in the mirror and finds his Chinese barber has given him a queue. Coloured lithograph by Smith, 1858.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • As a young woman looks at the dress she wears in the mirror, the reflection she sees is of a dead woman lying with her head back.
  • A mirror in which the surrounding world is copied by reflection, framed with formulae associated with the cloning of biological organisms. Mixed media by Sophie Dauvois, 1998.
  • Monument with a portrait of Samuel Butler; a youth sculpts a relief as a satyr holds Butler's book Hudibras towards him while Britannia looks at her reflection in a mirror. Engraving by William Hogarth.
  • A child has been told her face is dirty, so she wipes it clean while her mother holds the mirror and her brother points to her reflection. Engraving by J. Mitchell after Sir David Wilkie, R.A.
  • Left, a seated craftsman examines a koto, watched by a standing woman holding a shamisen (?); right, a mirror maker works while a woman looks at her reflection in a mirror. Colour woodcut by Sori III, 1800.
  • A woman helps to adjust a dress worn by the curate as the barber examines his reflection in a mirror with a beard, in a room furnished with a set of antlers over the door. Engraving by William Hogarth.