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72 results
  • The parable of the lily. Lithograph.
  • A man sows seeds; representing the parable of the sower. Etching.
  • A landscape with the parable of the Good Samaritan. Etching with engraving after H. Bol.
  • The parable of the mote and the beam. Oil painting by Minus (Minas) M. Zorab, 1880.
  • Men lie sleeping as a man sows seeds; representing the biblical parable of the sower. Etching.
  • The parable of the blind leading the blind: two blind men walk into a stream. Engraving after H. Bosch.
  • The sermon on the mount, the parable of the narrow and the broad way. Aquatint by G. Sanders after himself.
  • Men lie sleeping under a tree; one sows seeds; representing the biblical parable of the sower. Etching by F. Keller after J.F. Overbeck.
  • The month October and the sign of Scorpio, represented by the vintage and by the parable of the unjust husbandmen. Engraving by A. Collaert after H. Bol, 1585.
  • The month April and the sign of Taurus, represented by a village in spring, and by the parable of the sower. Engraving by A. Collaert after H. Bol, 1585.
  • A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.
  • The month September and the sign of Libra, represented by people gathering fruit from trees and the parable of the barren fig tree. Engraving by A. Collaert after H. Bol, 1585.
  • The month November and the sign of Sagittarius, represented by winter activities, a fire in a city, and by the parable of the great supper. Engraving by A. Collaert after H. Bol, 1585.
  • The month June and the sign of Cancer, represented by a large agricultural estate being profitably maintained and managed, and by Christ telling the parable of the Rich Fool. Engraving by A. Collaert after H. Bol, 1585.
  • Two groups of bridesmaids wait by a bridge: one with candles, the other dejectedly staring at the ground; representing the biblical parable of the wise and foolish virgins. Etching by X. Steifensand after J.F. Overbeck, 1844.
  • The parable of the blind leading the blind: six blind men walk in a line, the leader trips over, the second stumbles over him, the rest are set to follow. Process print after by P. Bruegel the elder, 1568.
  • The halt and the blind being summoned to the great supper. Oil painting by Joost Cornelisz. Droochsloot.
  • The halt and the blind being summoned to the great supper. Oil painting by Joost Cornelisz. Droochsloot.
  • The halt and the blind being summoned to the great supper. Oil painting by Joost Cornelisz. Droochsloot.
  • The halt and the blind being summoned to the great supper. Oil painting by Joost Cornelisz. Droochsloot.
  • The halt and the blind being summoned to the great supper. Oil painting by Joost Cornelisz. Droochsloot.
  • The halt and the blind being summoned to the great supper. Oil painting by Joost Cornelisz. Droochsloot.
  • The blind leading the blind. Oil painting after Pieter Bruegel.
  • The blind leading the blind. Oil painting after Pieter Bruegel.
  • The blind leading the blind. Oil painting after Pieter Bruegel.
  • The good samaritan helps a stranger by the roadside by pouring oil and wine on to his wounds. Woodcut.
  • Episodes in the Bible and examples of devotional practice. Collage of colour lithographs and process prints after Harold Copping and others.
  • A son has returned to his family and is now being given his share of his father's fortune. Coloured engraving.
  • The good Samaritan tending to a wounded man while a priest and a Levite walk on by. Engraving by T. Cook after W. Hogarth.
  • A father and mother greet their returning son with a crowd of people gathered outside the open door. Engraving by J. Heath after Gravelot.