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169 results
  • Anatomical Fugitive sheet. Adam and Eve Type. Male. Shows the layers. With flap raised.
  • A female flap anatomy fugitive sheet, with layered flaps lifted to reveal the anatomy of the thorax and abdomen. Photograph of an engraving, 1683.
  • A stone: superimposed flap on the plate of the interior of the chapel of Saint Mary Magdalen, on Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Woodcut, female figue with moveable flaps,
  • Methods of arranging skin flaps after mastectomy operations (plate 2)
  • Methods of arranging skin flaps after mastectomy operations (plate 1)
  • Methods of arranging skin flaps after mastectomy operations (plate 3)
  • Muscles of the leg and foot: front view. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the leg and foot: side view. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the leg and foot: side view. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the arm, shoulder and hand, front view. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the arm, shoulder and hand: side view, supinated. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the leg and foot: back view, with thumbnail ink sketch of walking figure. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the arm, shoulder and hand, side view, with small pencil sketch of a face. Ink and watercolour with laminated flaps, 18--.
  • Dissection of the trunk: back view, showing the bones and muscles, with a detail of a vertebra. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the arm, shoulder and chest, front view: male écorché figure holding right arm over his head. Ink and watercolour with laminated flaps, 18--.
  • Dissection of the trunk: front view, showing the bones and muscles, with a small sketch of a woman's face. Ink and watercolour with laminated flaps, 18--.
  • Muscles of the arm and hand: two figures, showing the arm bent at the elbow, with the fist clenched. Ink and watercolour with laminated flaps, 18--.
  • Dissection of the trunk: side view, showing the bones and muscles, with small pencil sketches of a nude in various poses. Ink and watercolour with laminated flaps, 18--.
  • Japanese masks: six masks, including two representing a dog and a demon, with an old man shown to their left. Colour woodcut with pop-up flaps on strings, 1860/1920?.
  • Japanese masks: six masks, including two representing a dog and a demon, with an old man shown to their left. Colour woodcut with pop-up flaps on strings, 1860/1920?.
  • Muscles of the arm, shoulder and hand, back view, with small pencil and ink sketches of faces in profile, and life studies. Ink and watercolour with laminated flaps, 18--.
  • Anterior view of thigh (fig. 1) and posterior view of thigh (fig. 2), with superimposed paper flaps. Coloured and laminated lithograph by S.G. Tovey after E.W. Tuson, 1828.
  • Muscles of the arm, shoulder and chest, back view: male écorché figure holding right arm over his head, with small pencil sketches of joints. Ink and watercolour with laminated flaps, 18--.
  • A skeletal cadaver with two flaps of skin of the abdomen cut away to reveal the subcutaneous layer of muscle and fat, labelled "mirac". Process print, 1926, after a manuscript illustration, 1345.
  • An amateur actor in drag, wearing a flapper dress and white footwear. Photographic postcard, 1925-1928.
  • An amateur actor in drag, wearing a flapper dress and white footwear. Photographic postcard, 1925-1928.
  • Episodes in the pantomime Harlequin skeleton. Engraving, 1772.
  • Eve combined with a mermaid; a griffon combined with an eagle holding an infant between its claws; a purse combined with a heart; a skeleton holding an hourglass and an arrow. Engraving, ca. 1757.
  • A fugitive sheet of a seated female figure, her hand resting on a vase, with her thorax and abdomen dissected to reveal the ribs, vertebral column and pelvis. Photograph after a woodcut, 1611.