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  • A face drawn in black lines with yellow highlights against a striped grey square background with upside down text at the top bearing the message in French: "It is easy to die" and the right way up at the bottom: "It may be difficult to live"; an advertisement for AIDS prevention by L'Alexandra. Colour lithograph by Gilbert Theillin.
  • Members of a friendly society compensating one of its members for ill-health. Pen and ink and watercolour, c. 1807.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Things you can do about HIV and AIDS; advertisement by The AIDS Network of Edmonton Society. Colour lithograph.
  • The Medical Society of London: John Coakley Lettsom presenting to the society the deeds of 3 Bolt Court, City of London. Stipple engraving by N.C. Branwhite, 1801, after S. Medley, 1800.
  • Sir Benjamin Thompson, Count von Rumford. Mezzotint by J. R. Smith, 1801, after himself.
  • A woman sits with her hands together representing a woman who had a baby as a teenager while HIV+; an advertisement for Rainbow House, a long-term care residence for adolescents and teen mothers who have HIV/AIDS; poster issued by the NJCAMA Ad Council. Colour lithograph.
  • The trunks of the vena cava, with their branches(Table VI, fig. 1); the trunks of the vena porta (Table VI, fig. 2), both after an engraving by M. Vandergucht after W. Cowper, 1702, after a preparation by G. Leoni, c. 1645; the brain, nerves and spine, after Eustachius, by 1552 (Table VII) Etching by I. Basire, 1743.