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29 results
  • Bailey Prison, Lying-in Hospital, Salford, Lancashire. Etching by J. Davies, 1829, after Harwood.
  • Infant Orphan Asylum, Snaresbrook, Essex: panoramic view. Etching by J. Davies after A.W. Wray.
  • Liverpool: a railway tunnel cut into the mountain side with men working on scaffolding above and cutting stone below. Engraving by J. Davies after C. and G. Pyne.
  • Whittington's Almshouses, Highgate, London: facade. Etching by J. Davies after T.H. Shepherd.
  • John Peacock. Mezzotint by T. Lupton after J. Meggett.
  • John Wesley. Stipple engraving by J. Cochran after J. Jackson.
  • George Calvert Holland. Stipple engraving by J. Brown after J. Moore.
  • A hunting dog chasing after fowl while the huntsman reloads his gun. Etching by J. Scott after A. D. Cooper.
  • Birkenhead Ferry, opposite Liverpool: dockside scene with men working near a crane. Engraving by J. Davies, 1831, after C. and G. Pyne.
  • The Infirmary, Dispensary and Lunatic Asylum, Manchester, England. Line engraving by J. Davies after S. Austin.
  • The Infirmary, Dispensary and Lunatic Asylum, Manchester, England. Line engraving by J. Davies after S. Austin.
  • The Infirmary, Dispensary and Lunatic Asylum, Manchester, England. Line engraving by J. Davies after S. Austin.
  • A basket with a bitch and her puppies resting on straw. Chalk lithograph by J. W. Giles after R. B. Davies.
  • A group of hound pups in a stable. Lithograph by J.W. Giles after R.B. Davis, 1831/1837 (?).
  • Women representing architecture and astronomy. Coloured stipple engraving by J. Chapman, 1803, after R. Corbould.
  • William Younge. Line engraving by E. Scriven, 1841, after J. Moore.
  • A man in the foreground conducts an alchemical experiment with an alembic; in the background a female figure representing the world looks at a chemist, who prepares an oxygen experiment with a glass jar and a candle; representing the historical transition from alchemy to chemistry. Stipple engraving by J. Chapman, 1805, after R. Corbould.
  • A man conducts an alchemical experiment with an alembic, in the foreground, in the background a female figure representing the world observes a man of the new school of chemistry who prepares an oxygen experiment with a glass jar and a candle: a representation of the historical transition between alchemy and chemistry. Coloured stipple engraving by J. Chapman, 1805, after R. Corbould.
  • Three fairies in a garden looking at the plants; representing botany. Stipple engraving by J. Chapman after R. Corbould.
  • Neptune surrounded by Triton and sea-nymphs is presented with the fruits of the sea; representing conchology. Stipple engraving by J. Chapman after R. Corbould.
  • John Mackie. Stipple engraving by S. Freeman, 1830, after J. Moore.
  • Russo-Turkish War: a wounded Turkish soldiers is brought to two doctors wearing the Red Crescent; a nurse is giving some water to another wounded man; a makeshift hospital in the background. Coloured wood engraving by C. Roberts after J.E. Hodgson, ca. 1877.
  • Mount Etna and the nearby countryside. Engraving by W. Byrne and T. Medland, 1788, after J. Smith.
  • A woman using sign language. Coloured aquatint by W.T. Annis, 1819, after J. Northcote.
  • Distinguished British men of science 1807-1808 assembled in the library of the Royal Institution, London. Mezzotint by W. Walker and G. Zobel after F. Skill and W. Walker, ca. 1860, after Sir J. Gilbert.
  • Distinguished British men of science 1807-1808 assembled in the library of the Royal Institution, London. Mezzotint by W. Walker and G. Zobel after F. Skill and W. Walker, ca. 1860, after Sir J. Gilbert.
  • The distinguished men of science 1807-8: a key to the identities of the sitters. Photograph of engraving by W. Walker, 1862, after Sir J. Gilbert.
  • Fifteen professors at Jefferson Medical College, Philadelphia. Colour process print after C. Miksch, 1923.
  • International Congress for the History of Medicine, Bucharest: a large group of delegates in conversation. Process print, 1932.