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  • Four buildings in Chelsea: the Royal Hospital, St Luke's Church, the Old Church, and the Royal Military Asylum. Coloured lithographs.
  • Christ Church, Oxford: chaplains' buildings from the meadow. Line engraving by J.H. Le Keux, 1863, after himself.
  • Buildings of the church and monastery of Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The church of St. Bartholomew the Great and surrounding area; iron gates leading to Westmorland Buildings, looking west. Photograph by G.W. Miller, 28 November 1909.
  • Three pictures from a missionary enterprise on the Upper Zambesia: an African chief smoking; a missionary's wife quarters; Africans building a church. Wood-engravings.
  • Surgeons and physicians of St Bartholomew's Hospital, London, with views of the building and adjacent churches. Colour lithograph by Beynon & Company after F. Hager.
  • Church of St. Bartholomew the Great and surrounding area; a building which is being used as a warehouse. Pen and ink drawing with wash by C.M.J. Whichelo, 1803.
  • Euston Road, London, from outside Bentley House, showing the Wellcome Building, Friends' House and St Pancras Church with decorations for Coronation Day. Oil painting by Paul A. Lord Methuen RA, 4th Baron, 1953.
  • Euston Road, London, from outside Bentley House, showing the Wellcome Building, Friends' House and St Pancras Church with decorations for Coronation Day. Oil painting by Paul A. Lord Methuen RA, 4th Baron, 1953.
  • Euston Road, London, from outside Bentley House, showing the Wellcome Building, Friends' House and St Pancras Church with decorations for Coronation Day. Oil painting by Paul A. Lord Methuen RA, 4th Baron, 1953.
  • Euston Road, London, from outside Bentley House, showing the Wellcome Building, Friends' House and St Pancras Church with decorations for Coronation Day. Oil painting by Paul A. Lord Methuen RA, 4th Baron, 1953.
  • Euston Road, London, from outside Bentley House, showing the Wellcome Building, Friends' House and St Pancras Church with decorations for Coronation Day. Oil painting by Paul A. Lord Methuen RA, 4th Baron, 1953.
  • Saint Bartholomew of Grottaferrata supervising the building of a church; an accident is avoided when a falling column is stayed on the order of one of his disciples. Engraving by P.A. Pozzi after N. Vanni after D. Zampieri, il Domenichino.
  • St. Georges's church, Hanover Square, London; interior. Process print.
  • St Katharine's Church and Hospital, London: a ground-plan with scale and north point. Engraving by F. Cary.
  • Audit Hall, Infirmary, St. Alban's and St. Helen's Churches, Worcester, England. Engraving by J. Newton, 1793, after N. Green and J. Ross.
  • Audit Hall, Infirmary, St. Alban's and St. Helen's Churches, Worcester, England. Engraving by J. Newton, 1793, after N. Green and J. Ross.
  • Cwm Avon Church, Glamorgan. Transfer lithograph by J.R. Jobbins, 1860, after J.P. Seddon.
  • Famagusta, Cyprus. Photograph, 1981, from a negative by John Thomson, 1878.
  • St. Cross Church, Winchester, Hampshire. Lithograph by A. Newman after J. Johnson.
  • Church of St. Cross, Winchester, Hampshire. Etching by J. Bonner, 1783.
  • Church of St. Cross, Winchester, Hampshire. Engraving by W. Woolnoth, 1804, after G. Shepherd.
  • St. Cross Church, Winchester, Hampshire: panoramic view. Engraving by J. Shury & Son after G.S. Shepherd.
  • Architecture: decorative ironwork at Westminster Abbey. Wood engraving.
  • Interior of a Gothic church; a woman kneeling in the foreground, men standing in the nave. Lithograph by N. Strixner after a drawing attributed to P. Neeffs.
  • The church of St. John the Baptist, Savoy Hill. Engraving by B. Cole.
  • The ruins of the priory of St. Mary Overie, Southwark: a stone wall and timber framework. Coloured engraving, 1791.
  • Church of the Nativity, Bethlehem: interior. Coloured lithograph by Louis Haghe after David Roberts, 1849.
  • Church of the Nativity, Bethlehem: interior. Coloured lithograph by Louis Haghe after David Roberts, 1849.
  • Church of the Nativity, Bethlehem: interior. Coloured lithograph by Louis Haghe after David Roberts, 1849.