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  • Christ with Saint Stephen and Saint Thomas Aquinas. Etching by C. Colombini after R.A. after D. Ghirlandaio (?).
  • Christ healing lame people at the pool of Bethesda. Etching by D. Cunego, 1779, after J.A. Calvi after L. Carracci.
  • Christ raises Lazarus from his tomb. Engraving by J. Rogers after D.A.M. Raffet.
  • Saint Joseph: his death, attended by the Virgin Mary and Jesus Christ. Line engraving by A. Bannerman, 1766, after a painting attributed to D. Velasquez.
  • Christ appearing to the apostle Thomas after the Resurrection. Coloured etching by A. Scacciati after A.D. Gabbiani.
  • The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.
  • Christ with Saint Dominic Guzman and Saint Elizabeth of Hungary. Etching by S. Pacini after A.D. Gabbiani.
  • The chapel of the beech tree on mount La Verna; Christ appearing to a monk named Giovanni. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Christ heals a demoniac; a demon is expelled into the air. Etching by J.D. de Montalegre and M.H. Rentz.
  • Saint Veronica: Christ falls under the weight of the Cross, Saint Veronica takes an impression of his face on a cloth. Engraving by A. Campanella, 1771, after D. de Angelis after A. Sacchi.
  • The risen Christ asks Mary Magdalene not to touch him. Etching with aquatint by G.B. Cipriani after A.D. Gabbiani.
  • D.G., ill in bed, praying to Christ and the Virgin of the Seven Sorrows, 1859. Oil painting by a Spanish painter, 1859.
  • Saint Mary (the Blessed Virgin) with the Christ Child and Saint Catherine of Alexandria. Etching by G.B. Cipriani after A.D. Gabbiani.
  • D.G., ill in bed, praying to Christ and the Virgin of the Seven Sorrows, 1859. Oil painting by a Spanish painter, 1859.
  • D.G., ill in bed, praying to Christ and the Virgin of the Seven Sorrows, 1859. Oil painting by a Spanish painter, 1859.
  • A bearded old man and a young woman representing Philosophy and Art respectively: he points to a book about mechanics and science, while she points to a painting of the Nativity of Christ. Engraving by W. Ridgway after D. Huntington.
  • Saint Mary (the Blessed Virgin) with the Christ Child and a vision of the instruments of the Passion. Coloured etching by J. Adam after A.D. Gabbiani.
  • Christ gives Saint Peter of Alcántara a bowl of food, and reaches for a bottle of water for him, seen in a vision by Saint Teresa of Avila. Colour etching by A. Scacciati, 1758, after A.D. Gabbiani.
  • Saint Gaetano kneeling, looking up at the Virgin and Christ seated on a cloud amid cherubs; cherub holding the Bible in the foreground. Engraving by G.B. Cipriani after A.D. Gabbiani, ca. 1760.
  • A female apothecary mixing up a prescription for a child. Etching by G. Greux, 187-, after Q.G. van Brekelenkam.
  • Twenty-four grotesque heads. Process print after L. Da Vinci.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.
  • The byrth of mankynde, otherwyse named the womans booke : Newly set furth, corrected and augmented. Whose co[n]tentes ye maye rede in the table of the booke, and most playnly in the prologue / By Thomas Raynold phisition.