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32 results
  • The dance of death: death and the prostitute. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The dance of death: the sentinel. Etching by D.-N. Chodowiecki, 1791, after himself.
  • Doctors disputing, the patient is ignored. Etching by D.N. Chodowiecki, 1781.
  • The dance of death: death and the fishwife. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The dance of death: the doctor. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The dance of death: death and the man who prides himself on his ancestry. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The dance of death: the king. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The dance of death: death and the mother. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The dance of death: the general. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The family of Jean Calas say goodbye to him as he is taken from prison to be executed. Engraving by D. Chodowiecki after himself.
  • The dance of death: death and the child. Etching by D.-N. Chodowiecki, 1791.
  • People gather around a surgeon (Baron de Wenzel) performing an eye operation. Etching by D. Chodowiecki.
  • The dance of death: death and the beggar. Etching by D.-N. Chodowiecki, 1791, after himself.
  • The dance of death: the queen. Etching by D.-N. Chodowiecki, 1791, after himself.
  • Four men of different temperaments looking at a painting of a dying man. Engraving by Grignion after D. Chodowiecki.
  • A physician talking to a patient who is in bed. Etching by D. Berger, 1775, after D. Chodowiecki.
  • Jean Calas is visited in his cell by his family as a warder loosens the shackles on his leg and a man in a cowl enters the room. Engraving by Andreas Leonhard Moeglich after Daniel Chodowiecki.
  • Anatomical figures (top); a physician takes the pulse of a sick man while the next two generations attend (bottom left); surgeons perform operations on a child and a woman. Etching by D. Berger, 1774, after D. Chodowiecki.
  • A youth whose physiognomy attests to unrefinability and obstinate weakness. Drawing, c. 1789, after D.N. Chodowiecki.
  • Jean Calas says farewell to his wife before he is executed. Drawing, c. 1789, after D.N. Chodowiecki.
  • Two men exhibiting postures which express their character: on the left a man of 'brutal sensibility', on the right, a miser. Drawing by D.N. Chodowiecki, c. 1789.
  • John Locke: frontal view of bust. Drawing, c. 1789, after D.N. Chodowiecki.
  • John Locke: perspective of a bust. Drawing, c. 1789, after D.N. Chodowiecki.
  • John Locke: left profile of a bust. Drawing, c. 1789, after D.N. Chodowiecki.
  • Eight physiognomies. Drawing, c. 1789, after D.N. Chodowiecki and C. Le Brun.
  • Four physiognomies. Drawings, c. 1789.
  • Four physiognomies. Drawings, c. 1789.
  • Eight physiognomies. Drawings by D.N. Chodowiecki, ca. 1789, after C. Le Brun.
  • Four physiognomies. Drawings, c. 1789.
  • Four physiognomies. Drawings, c. 1789.