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  • A gouty patient having his pulse taken by a doctor; representing George IV's opposition to Catholic emancipation, and Wellington's support of it. Coloured etching by T. Jones, 1829.
  • A large John Bull being held down and force-fed by Peel and Wellington; representing the idea of the Catholic emancipation as a breach of the constitution. Coloured etching by W. Heath, 1829.
  • The Duke of Wellington kisses the toe of the Pope, while Roobert Peel holds a rosary; representing Catholic Emancipation. Coloured etching by William Heath, ca 1829.
  • Wellington and Peel, in the roles of the body-snatchers Burke and Hare, suffocating John Bull; representing the extinguishing by Wellington and Peel of the constitution of 1688 by Catholic Emancipation. Coloured etching, 1829.
  • Burdett, Peel, O'Connell and Wellington in the roles of the body-snatchers Burke and Hare, suffocating John Bull with a rope; representing the extinguishing by Wellington and Peel of the constitution of 1688 by Catholic Emancipation. Coloured etching by A. Sharpshooter, 1829.
  • Wellington and Peel in the roles of the body-snatchers Burke and Hare suffocating Mrs Docherty for sale to Dr. Knox; representing the extinguishing by Wellington and Peel of the Constitution of 1688 by Catholic Emancipation. Coloured etching by W. Heath, 1829.
  • Wellington and Peel in the roles of the body-snatchers Burke and Hare suffocating Mrs Docherty for sale to Dr. Knox; representing the extinguishing by Wellington and Peel of the Constitution of 1688 by Catholic Emancipation. Coloured etching by W. Heath, 1829.
  • Wellington and Peel in the roles of the body-snatchers Burke and Hare suffocating Mrs Docherty for sale to Dr. Knox; representing the extinguishing by Wellington and Peel of the Constitution of 1688 by Catholic Emancipation. Coloured etching after W. Heath, 1829.
  • Thomas Dromgoole speaking at a meeting of the Catholic Board in Dublin; represented as Doctor Drum "letting the cat out of the bag". Coloured etching, 1813.
  • Daniel O'Connell and the devil represented as the Siamese twins joined at the chest; representing alleged atrocities by Roman Catholics. Coloured etching attributed to A. Sharpshooter, 1829.
  • Joseph Nollekens arranges a bust of William Wyndham Grenville, Baron Grenville, between busts of William Pitt the younger and Charles James Fox, in a display of sculptures. Etching by J. Sayers, 1808.
  • The Duke of Wellington as Chancellor of Oxford University, wearing academic robes and carrying a mace, instructs his Tory supporters portrayed as academics in gowns and mortar boards. Lithograph by John Doyle, 1834.
  • William Wyndham Grenville, Baron Grenville, dispensing Roman Catholic tracts from a balloon to the people of Oxford; representing his installation as Chancellor of Oxford University. Coloured etching by J. Gillray, 1810.
  • Charles James Fox, dangerously ill, visited by an entourage of interested factions; representing the social and ministerial conflict surrounding him. Aquatint after J. Gillray, 1806.
  • Charles James Fox, dangerously ill, visited by an entourage of interested factions; representing the social and ministerial conflict surrounding him. Coloured etching by J. Gillray, 1806.
  • The emblematic figure of a man representing secularisation, technical innovation, educational reforms and liberal politics in the United Kingdom. Lithograph, ca. 1830.