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22 results
  • A Roman academy of artists. Etching after Pier-Francesco Alberti, 16--.
  • An écorché with a raised left arm seen from the back; studies of the muscles of the right and left thighs, seen from the front. Red-chalk drawing, 17th century, after L. Cigoli.
  • An écorché seen from the back. Red-chalk drawing, 17th century.
  • An écorché seen from the back. Red-chalk drawing, 17th century.
  • The trunk of an écorché seen from the back. Red-chalk drawing, 17th century.
  • Philippe Ricord. Coloured wood engraving (?), 1867, after A. Gill.
  • The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century.
  • The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century.
  • The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century.
  • The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.
  • The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.
  • Microvasculature of the african grey parrot.
  • Microvasculature of the African Grey Parrot
  • Microvasculature of the African Grey Parrot
  • Microvasculature of the African Grey Parrot
  • Dirk Bogarde. Photographic postcard, 195-.
  • Dirk Bogarde. Photographic postcard, 195-.
  • A character in the play "The widdow Ranter": Semernia, a Native American queen, with two pageboys. Mezzotint by W. Vincent.
  • The life school at the Royal Academy of Arts, London, with William Hunter, left, teaching anatomy. Drawing attributed to Elias Martin, ca. 1770.
  • An embassy of the Nawab of Oudh (Awadh), led by his minister Haider Beg Khan, passing Patna on its way to Lord Cornwallis, the new Governor-General of India, in Calcutta in 1786. Mezzotint by R. Earlom, 1800,  after J. Zoffany, 1796.
  • Chinese Manuscript coin catalogue of 1721.
  • Bethlem Hospital, London: the incurables being inspected by a member of the medical staff, with the patients represented by political figures. Drawing by Thomas Rowlandson, 1789.