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  • "Laughter" Plate 10, Charles Le Brun, 1760.
  • Head of a man expressing acute pain. Pencil drawing after Charles Le Brun.
  • Frontispiece to an English edition of Charles Le Brun's 'Expressions of the passions of the soul' (left); a face expressing attention. Engraving, c. 1760, after C. Le Brun.
  • Heads. Representing the various passions of the soul; as they are expressed in the human countenance / [Charles Le Brun].
  • Heads. Representing the various passions of the soul; as they are expressed in the human countenance / [Charles Le Brun].
  • Heads. Representing the various passions of the soul; as they are expressed in the human countenance / [Charles Le Brun].
  • Heads. Representing the various passions of the soul; as they are expressed in the human countenance / [Charles Le Brun].
  • Saint Carlo Borromeo, with a rope around his neck, weeps blood while praying for the departure of plague from Milan in 1576. Engraving by G. Edelinck after Charles Le Brun.
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • Six physiognomies. Drawing, c. 1789, after C. Le Brun.
  • Six physiognomies. Drawing, c. 1789, after C. Le Brun.
  • Eight physiognomies. Drawings, c. 1789, after D.N. Chodowiecki and C. Le Brun.
  • Three outlines of faces showing various emotions
  • Human face affected by attention.
  • Six physiognomies. Drawing, c. 1789, after C. Le Brun.
  • Six physiognomies. Drawing, c. 1789, after C. Le Brun.
  • Six physiognomies. Drawing, c. 1789, after C. Le Brun.
  • Human physiognomies next to animal physiognomies, showing the relations between certain of the species. Etching, c. 1820, after C. Le Brun.
  • Faces expressing the passions and showing the muscles relation to expression, with an explanation of the art of 'pathognomy', the reading of facial expression. Etching, c. 1800.
  • Designs of ears and eyes. Engraving after C. Le Brun.
  • Designs showing the lower half of the face in various physiognomies and actions. Engraving after C. Le Brun.
  • The face of a man in a state of anger. Engraving by J. Tinney, ca. 1730/1740, after C. Le Brun.
  • Six faces expressing the human passions: (clockwise from top left) scorn, laughter, acute pain, desire, anger, sadness. Coloured etching, c. 1800, after C. Le Brun.
  • Three forearms and one hand. Engraving after C. Le Brun.
  • Hercules and Diomedes. Etching by J.B. Tilliard and L. Lafitte after C. Lebrun.
  • Six faces expressing human passions: profiles and frontal views of admiration, desire and veneration. Pen drawing after C. Le Brun.
  • Eight eyes. Engraving after C. Le Brun.