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  • Fair Mount Water Works, Philadelphia: with Upper Ferry Bridge. Coloured engraving by Ferrer Sears & Co., 1830, C. Burton.
  • Congress Hall, Saratoga Springs, New York: visitors to the health resort taking the air outside the hotel. Coloured engraving by Fenner & Sears & Co., 1830, after C. Burton.
  • Academy of Natural Sciences, Philadelphia. Coloured engraving by Fenner Sears & Co., 1830, after C. Burton.
  • Franklin Institute, Philadelphia. Coloured engraving by Fenner Sears & Co., 1830, after C. Burton.
  • Prison, Philadelphia: side view. Coloured engraving by Fenner Sears & Co., 1831, after C. Burton.
  • Museum, Philadelphia: within the arcade. Coloured engraving by Fenner Sears & Co., 1831, after C. Burton.
  • Fair Mount water works, Philadelphia: with the Race Bridge. Coloured engraving by Fenner Sears & Co., 1831, after C. Burton.
  • Deaf and Dumb Asylum, Philadelphia: panoramic view. Coloured engraving by Fenner Sears & Co., 1831, after C. Burton.
  • Eugène Napoléon Vigla. Lithograph by C. Bornemann after Ch. Reutlinger.
  • A group of men in turbans are carrying a litter, and attending to their passenger. Coloured aquatint by J. Wells after C. Gold.
  • John the Baptist indicates Jesus as the Messiah to two of his disciples. Engraving by J. Outrim, 1847, after T. Uwins.
  • King George III taking the waters at Cheltenham. Coloured aquatint by J.C. Stadler after C. Rosenberg, 1812.
  • In a chamber containing stuffed animals, a globe and astrological devices Hudibras, about to draw his sword, startles Sidrophel and Whacum. Aquatint by C. Rosenberg, 1799, after William Hogarth.
  • Henry Cavendish. Aquatint by C. Rosenberg after W. Alexander.
  • Henry Cavendish. Aquatint by C. Rosenberg after W. Alexander.
  • Doctor Jukes pumping the stomach of Sir W. Curtis, several other aldermen wait to be operated on; representing the gross appetites of some civic dignitaries. Coloured etching by W. Heath, 1824.
  • Charles James Fox, dangerously ill, visited by an entourage of interested factions; representing the social and ministerial conflict surrounding him. Aquatint after J. Gillray, 1806.
  • Charles James Fox, dangerously ill, visited by an entourage of interested factions; representing the social and ministerial conflict surrounding him. Coloured etching by J. Gillray, 1806.