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  • An artist before a crowd painting a shop sign. Lithograph by F. Le Villain, 1822, after H. Bellangé.
  • A soldier takes his hat off to a lady at her table but finds that she preferred "les Lanciers". Lithograph by Villain, 1826, after H. Bellangé.
  • A woman camp-follower shields a wounded soldier on a battle field from the reprimands of his senior officer. Lithograph by Joseph Louis-Hippolyte Bellangé, 1824.
  • A veteran soldier with a pair of crutches is sitting on a bench talking to a young woman who has brought him some refreshment. Lithograph by Joseph Louis-Hippolyte Bellangé, 1825.
  • A street scene with building work going on: an old man holds his cap out to a well-dressed man who refuses to help him. Lithograph by Joseph Louis Hippolyte Bellangé.
  • A soldier bends down to put some money into the hand of an old lady who is sitting on the side of the road. Lithograph by Joseph Louis-Hippolyte Bellangé, 1829.
  • An all-night gambling party breaks up at four o'clock in the morning: one man says he has lost his last twenty francs. Lithograph by Joseph Louis-Hippolyte Bellangé, 1824.
  • Napoleon in battle, an old man on horseback holding a child asks another child the way, a man carries a ladder or chair, a countryman carries a basket and two boys fight. Lithograph by Joseph Louis-Hippolyte Bellangé.
  • A captain talks to two soldiers, a man is hiding behind a tree from approaching soldiers, two old men stand talking, an artist is sketching, and an elderly couple are laughing together. Lithograph by Joseph Louis-Hippolyte Bellangé.
  • A woman carrying a basket of eggs looks at a poor old man who is working as a chiffonnier and picking up rubbish with a stick: she exclaims that they were once lovers. Lithograph by H. Bellangé, 1826.
  • A woman and a man in dispute are brought before a man in authority: the man blames the woman for starting the dispute by calling him a drunkard, while he hides a bottle behind his back. Lithograph by Joseph Louis-Hippolyte Bellangé, 1824.
  • A woman is interrogated by an official who demands her name and status: she says she is a sensitive woman, but he requires a different kind of status, so she suggests that she is a woman of private means. Lithograph by Joseph Louis-Hippolyte Bellangé, 1828.
  • Saint Paul preaches before a small group in a crowded forum in Athens. Etching by J.A. Bellanger, 1749, after himself.
  • A nurse standing in front of a modern rheumatism clinic; advertising the need for such clinics in the Netherlands. Colour lithograph after R. de Jonge, 1961.