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47 results
  • Rome: ruins of ancient sepulchre and aqueduct. Etching by G.B. Piranesi, ca. 1750.
  • The processional entry of a victorious general into ancient Rome. Chiaroscuro woodcut by Andrea Andreani after Andrea Mantegna.
  • An ancient building which used to be a pharmacy site in the House of the Vestal Virgins, Rome. Photograph.
  • Roman aqueducts in Via Latina, to the southeast of Rome: view of the crossing of two aqueducts during ancient Roman times, with the city of Rome seen in the distance. Photograph, ca. 1936, of a painting by M. Zeno Diemer, ca. 1910/1935.
  • Public and private bathing facilities in ancient Rome: fourteen figures, including a public bath complex, Seneca standing in a small ornamental bath, a father and his children bathing together, and a selection of bathing implements and strigils. Lithograph by Massias and Durin, 1888.
  • Antiquities of Mexico: comprising fac-similes of ancient Mexican paintings and hieroglyphics, preserved in the Royal Libraries of Paris, Berlin, and Dresden; in the Imperial Library of Vienna; in the Vatican Library; in the Borgian Museum at Rome; in the Library of the Institute at Bologna; and in the Bodleian Library at Oxford. Together with the Monuments of New Spain, by M. Dupaix: with their respective scales of measurement and accompanying descriptions. The whole illustrated by many valuable inedited manuscripts / by Lord Kingsborough; the drawings, on stone, by A. Aglio.
  • Antiquities of Mexico: comprising fac-similes of ancient Mexican paintings and hieroglyphics, preserved in the Royal Libraries of Paris, Berlin, and Dresden; in the Imperial Library of Vienna; in the Vatican Library; in the Borgian Museum at Rome; in the Library of the Institute at Bologna; and in the Bodleian Library at Oxford. Together with the Monuments of New Spain, by M. Dupaix: with their respective scales of measurement and accompanying descriptions. The whole illustrated by many valuable inedited manuscripts / by Lord Kingsborough; the drawings, on stone, by A. Aglio.
  • Valeriana officinalis L. Valerianaceae Valerianus, Phu, Nardus sylvestris, Setwal. Distribution: Europe. Popular herbalism attributes sedation to Valerian, but this is not mentioned by Coles (1657) or Gerard (1633) or Lobel (1576) or Lyte (1578) or Dioscorides (ex Gunther, 1959) or Fuchs (1553), where he quotes Pliny, Dioscorides and Galen, or Parkinson (1640), or Pomet (1712). The English translation of Tournefort (1719-1730) covers a whole page of the uses of all the different valerians, but never mentions sedation or treating anxiety. Quincy (1718) does not mention it. Because it was used in epilepsy, for which Woodville (1792) says it was useless, Haller, in his Historia stirpium indegenarum Helvetae inchoatae (1768) advocates it for those with irritability of the nervous system, as does Thomson's London Dispensatory (1811) although he lists it as an 'antispasmodic and stimulant' and for inducing menstruation. Lindley (1838) notes (as many did) that the roots smell terrible and that this makes cats excited, and in man, in large doses, induce 'scintillations, agitation and even convulsions' so used in asthenic fever, epilepsy, chorea, hysteria and as an antihelminthic.' Fluckiger & Hanbury (1879) give a wonderful account of the history of its names, but give its use as 'stimulant and antispasmodic' as do Barton & Castle (1877). but by 1936 (Martindale's Extra Pharmacopoeia) its only use was 'Given in hysterical and neurotic conditions as a sedative. Its action has been attributed to its unpleasant smell'. The European Medicines Agency (2006) approves its use as a traditional herbal medicine for mild anxiety and sleeplessness for up to 4 weeks. Despite what is written continuously about its use in ancient Greece and Rome, the only reason for its use has been because it was thought, for a brief while, to be good for epilepsy and therefore might deal with persons of a nervous disposition because of its foul smell. It has been suggested that even its Greek name, 'Phu' came from the expression of disgust which is made when one sniffs an unpleasant odour. For 1,800 years, before the last century, no-one had thought it sedative. Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Bust in white marble of Antinous favourite of the Emperor Hadrian, worshipped in guise of Dionysius but here represented as a young man. From the original in the Louvre.
  • Roman surgical instruments (A-C) different hooks
  • Three sculptors carving a colossal marble head. Etching by L. Lowenstam after Sir L. Alma-Tadema.
  • A bowl on a base, a torch on a stand, a metal vase, and a vase with the caduceus on its side. Etching by L. Roccheggiani, ca. 1811.
  • A well head carved with fish motifs, a metal ladle with a snake-handle, a funerary urn, and a terracotta relief of the caduceus and other objects. Etching by L. Roccheggiani, ca. 1811.
  • A marble vase, and a marble tazza standing on a sepulchral chest. Etching by L. Roccheggiani, ca. 1811.
  • A Roman altar, a Greek metal vase and an Etruscan altar. Etching by L. Roccheggiani, ca. 1811.
  • A curule chair, a Greek metal candelabra, a bowl supported by sphinxes, a Roman standard, a clay torch and a Roman dagger. Etching by L. Roccheggiani, ca. 1811.
  • A tripod, a copper vase and an Egyptian-style chair. Etching by L. Roccheggiani, ca. 1811.
  • Seven ancient utensils reconstructed from bas-reliefs etc. Etching by L. Roccheggiani, ca. 1811.
  • A sepulchral chest with cover, a Greek metal cup, and a vase supported by goats' and rams' heads. Etching by L. Roccheggiani, ca. 1811.
  • Arrangement for heating bath water. Watercolour drawing by P. Johnston-Saint, 1933.
  • People playing ancient musical instruments. Etching by J. Lee.
  • People playing ancient musical instruments. Etching by J. Lee.
  • Venus and a maid teaching Cupids to swim. Engraving by A. Campanella after A. R. Mengs, 1778.
  • Bacchus and Ariadne. Engraving by P.M. Vitali after A. von Maron, 1783.
  • The drunken Hercules. Engraving by A. Campanella after A. von Maron, 1781.
  • Bacchus and Ariadne. Engraving by P.M. Vitali after A. von Maron, 1783.
  • Adonis dying in the lap of Venus. Engraving by A. Campanella after A. R. Mengs, 1778.
  • Venus teaching Cupids to fly. Engraving by A. Campanella after A. R. Mengs, 1778.
  • Adonis dying in the lap of Venus. Engraving by A. Campanella after A. R. Mengs, 1778.
  • Adonis setting out on a hunt. Engraving by A. Campanella after A. Maron, 1779.