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89 results
  • De arte medica infantium aphorismorum particulae tres / [Ognibene Ferrari].
  • A human anatomical figure. Drawing, Nepalese, ca. 1800 (?).
  • De arte medica infantium libri quatuor. Quorum duo priores de tuenda eorum sanitate, posteriores de curandis morbis agunt ... / [Ognibene Ferrari].
  • A human anatomical figure. Drawing, Nepalese, ca. 1800 (?).
  • The forge of Vulcan: he sits by the forge as his assistants work on iron at the anvil. Engraving by Georges Reverdy.
  • De arte medica infantium aphorismorum particulae tres / [Ognibene Ferrari].
  • Lodoici Vassaei Catalaunensis, In anatomen corporis humani tabulae quatuor / [Loys Vasse].
  • I secreti de la signora Isabella Cortese ne' quali si contengono cose minerali, medicinali, arteficiose, et alchimiche, et molte de l'arte profumatoria. Appartenenti a ogni gran signora, con privilegio / [Isabella Cortese].
  • The finial of the Turkish standard inscribed with Muslim tenets. Etching attributed to G.F. Camocio, ca. 1572.
  • Semplici ... liquali in piu pareri à diversi nobili huomini scritti appaiono / et nuovamente da M. Giovanni Marinello mandati in luce.
  • Buildings of the church and monastery of Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Interior of the Capella della Croce on Mount Verna; with a painting of Saint Francis on the altar. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The interior of the chapel of Saint Mary Magdalen, on Mount Verna, where Saint Francis of Assisi retreated. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • A Franciscan monk showing a little chapel on mount La Verna to two pilgrims. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The chapel of Saint Mary Magdalen, on Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The interior of the smaller church on Mount Verna; decorated with paintings of the life of Christ: birth, descent from the cross and the ascension. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • A rocky overhang on Mount Verna at the place where Saint Francis worshipped. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Interior of the chapel of Saint Sebastian on Mount Verna; with a painting of Sebastian pierced by arrows. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Fountain of Saint Francis of Assisi. at La Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Ground plan of the church on Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The chapel of Saint Mary Magdalen, on Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Two men walking along a path on mount La Verna towards a sanctuary. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Two men walking along a path on mount La Verna towards a sanctuary. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The front of the smaller church and the main entrance of the monastery of Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • A rocky overhang on Mount Verna at the place where Saint Francis worshipped. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The front of the smaller church and the main entrance of the monastery of Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The chapel of the beech tree on mount La Verna; Christ appearing to a monk named Giovanni. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • Interior of the church of the Stigmata on Mount Verna; with a painting of the Crucifixion. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • A stone: superimposed flap on the plate of the interior of the chapel of Saint Mary Magdalen, on Mount Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.
  • The chapel on mount La Verna on the site of the cell inhabited by a monk named Giovanni. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.