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  • The halt and the blind being invited to the great supper. Mezzotint by J.E. Haid after J.M. Denzel.
  • The good Samaritan. Engraving after S. à Bolswert after P.P. Rubens, 16--.
  • A family group in their drawing room at evening prayer with the father reading from a large volume. Engraving by W. Holl after E. Prentis.
  • The prodigal son embraces his father. Etching by F. Severati after J.F. Overbeck, 1851.
  • The return of the prodigal son. Drawing by F. Rosaspina, c. 1830, after L. Massari.
  • The good Samaritan helps the man who has been robbed and beaten. Engraving, 1793, after stained glass window at Healey Hall, Lancashire.
  • John Patch. Engraving by E. A. Ezekiel, 1789, after J. Opie.
  • John Fothergill: portrait in oval frame with trompe l'oeil surroundings. Line engraving by [T.?] Cook, 1781.
  • John Fothergill: portrait in oval frame with trompe l'oeil surroundings. Line engraving by [T.?] Cook, 1781.
  • John Patch. Colour engraving by E. A. Ezekiel, 1789, after J. Opie.
  • The good Samaritan stops to help a wounded man who has been previously ignored by a priest and Levite. Wood engraving by C.A. Zscheckel after J. Schnorr von Carolsfeld.
  • A private concert at night: people around a table are playing music, embracing and singing. Engraving after J. Leclerc.
  • The prodigal son returns home by boat to a large party. Etching by J. Wachsmuth after C.J. Vernet and J.C. Tardieu.
  • Works of mercy with Dives and Lazarus. Oil painting by a Flemish painter, ca. 1550.
  • Christ with Mary and Martha. Lithograph by C. Hahn, 184-, after J. Hübner.
  • Works of mercy with Dives and Lazarus. Oil painting by a Flemish painter, ca. 1550.
  • Works of mercy with Dives and Lazarus. Oil painting by a Flemish painter, ca. 1550.
  • A sick man lying on rocks is tended by a man wearing a hat and cloak bearing the letters HSR; entitled The good Samaritan. Photocopy of a lithograph by Geo Uno (?).
  • Works of mercy with Dives and Lazarus. Oil painting by a Flemish painter, ca. 1550.
  • George Gillichan: monument showing the good Samaritan, erected in honour of Dr. Gillichan. Engraving with etching by Brocas after T. Kirk.
  • The good Samaritan helping a stranger who has been ignored by a priest and Levite. Line engraving by S. Smith after C.L. Eastlake.
  • Saint Lazarus. Coloured etching.
  • The good Samaritan takes care of an injured man in an inn. Wood engraving after P.R. Morris, 1858.
  • Dr Samuel Johnson reading the manuscript of Oliver Goldsmith's 'The vicar of Wakefield', while a bailiff waits with the landlady. Mezzotint by S. Bellin, 1845, after E.M. Ward.
  • The prodigal son returns and is greeted by his father. Etching by V. Vangelisti after G.F. Barbieri, il Guercino.
  • The good Samaritan bringing the half-dead traveller to the inn and providing money for his recovery. Line engraving by J. Taylor after a painting attributed to G. Dou.
  • Abel Beechcroft, while reading in the library of his house in Lambeth, is disturbed when Hilda Scarve is led into the room by his butler Jukes. Etching by George Cruikshank, 1842.
  • The good Samaritan tending to the wounds of a half-dead man. Line engraving by G.H. Adcock after Dietrici.
  • Christ tells an apostle how a mustard seed grows into a tree. Etching.
  • The good Samaritan tending to a wounded man while a priest and a Levite walk on by. Line engraving by T. Cook, 1809, after W. Hogarth.