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Robert Boyle. Line engraving by B. Baron, 1722 after J. Kerseboom.
Kerseboom, Johann, -1708.Reference: 1329i
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Diana (Artemis) and Actaeon. Engraving by B. Baron after L. Cheron.
Chéron, Louis, 1655-1725.Reference: 2856083i
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A pilgrim is given lodging by a rich man. Engraving by B. Baron after Frans Francken the elder.
Francken, Frans, 1542-1616.Reference: 32300i
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The Borghese gladiator: view from behind and left. Etching by B. Baron after R. Dalton, 1746.
Dalton, Richard, 1715?-1791.Date: 20 March 1746Reference: 663864i
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Jupiter (Zeus), disguised as a satyr, removes the clothing of Antiope as he prepares for intercourse with her. Engraving by B. Baron after Titian.
Titian, approximately 1488-1576.Date: [1729?]Reference: 3046082i
Part of: Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France.
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A portrait of Peter Paul Rubens, in a roundel, on a pedestal, being unveiled by Fame at the command of Minerva, as a putto carves an inscription on the pedestal. Engraving by B. Baron, 1724.
Date: [1724?]Reference: 571666i
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Thomas Alsop. Etching after B. Baron after H. Holbein.
Holbein, Hans, 1497?-1543.Reference: 5018i
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The holy family resting among animals in Egypt. Etching by B. Baron, 1724, after F. Solimena.
Solimena, Francesco, 1657-1747.Date: 1724Reference: 22379i
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Robert Boyle. Line engraving by B. Baron, 1744 after J. Kerseboom.
Kerseboom, Johann, -1708.Date: 1744Reference: 1328i
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King Charles I at Titchfield, Hampshire, having escaped from Hampton Court, learns that the governor of the Isle of Wight will betray him to Cromwell. Engraving by B. Baron after P. Angellis.
Angellis, Pieter, 1685-1734.Date: [1728]Reference: 2897017i
Part of: Ten curious prints of the most remarkable transactions of the reign of King Charles 1st
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The rich visiting the poor and needy bringing alms, with a quote from the Bible. Line engraving by B. Baron, 1728, after a painting attributed to Frans Francken I.
Francken, Frans, 1542-1616.Date: 1728Reference: 17724i
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In the cabinet of the quack doctor, the viscount Squanderfield holds out a small pill-box as a girl dabs her face with a handkerchief. Engraving by B. Baron after W. Hogarth, 1745.
Hogarth, William, 1697-1764.Date: April 1st 1745Reference: 38353i
Part of: Marriage a-la-mode
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The viscount sits despondent in a chair, his wife indicates tiredness by stretching her arms, while a disapproving steward exits carrying a handful of bills. Engraving by B. Baron after W. Hogarth, 1745.
Hogarth, William, 1697-1764.Date: [1745]Reference: 38352i
Part of: Marriage a-la-mode

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Robert Boyle. Line engraving by B. Baron, 1722 after J. Kerseboom.

Diana (Artemis) and Actaeon. Engraving by B. Baron after L. Cheron.

A pilgrim is given lodging by a rich man. Engraving by B. Baron after Frans Francken the elder.

The Borghese gladiator: view from behind and left. Etching by B. Baron after R. Dalton, 1746.

Jupiter (Zeus), disguised as a satyr, removes the clothing of Antiope as he prepares for intercourse with her. Engraving by B. Baron after Titian.

A portrait of Peter Paul Rubens, in a roundel, on a pedestal, being unveiled by Fame at the command of Minerva, as a putto carves an inscription on the pedestal. Engraving by B. Baron, 1724.

Thomas Alsop. Etching after B. Baron after H. Holbein.

The holy family resting among animals in Egypt. Etching by B. Baron, 1724, after F. Solimena.

Robert Boyle. Line engraving by B. Baron, 1744 after J. Kerseboom.

King Charles I at Titchfield, Hampshire, having escaped from Hampton Court, learns that the governor of the Isle of Wight will betray him to Cromwell. Engraving by B. Baron after P. Angellis.

The rich visiting the poor and needy bringing alms, with a quote from the Bible. Line engraving by B. Baron, 1728, after a painting attributed to Frans Francken I.

In the cabinet of the quack doctor, the viscount Squanderfield holds out a small pill-box as a girl dabs her face with a handkerchief. Engraving by B. Baron after W. Hogarth, 1745.

The viscount sits despondent in a chair, his wife indicates tiredness by stretching her arms, while a disapproving steward exits carrying a handful of bills. Engraving by B. Baron after W. Hogarth, 1745.

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Active filters:

Robert Boyle. Line engraving by B. Baron, 1722 after J. Kerseboom.

Diana (Artemis) and Actaeon. Engraving by B. Baron after L. Cheron.

A pilgrim is given lodging by a rich man. Engraving by B. Baron after Frans Francken the elder.

The Borghese gladiator: view from behind and left. Etching by B. Baron after R. Dalton, 1746.

Jupiter (Zeus), disguised as a satyr, removes the clothing of Antiope as he prepares for intercourse with her. Engraving by B. Baron after Titian.

A portrait of Peter Paul Rubens, in a roundel, on a pedestal, being unveiled by Fame at the command of Minerva, as a putto carves an inscription on the pedestal. Engraving by B. Baron, 1724.

Thomas Alsop. Etching after B. Baron after H. Holbein.

The holy family resting among animals in Egypt. Etching by B. Baron, 1724, after F. Solimena.

Robert Boyle. Line engraving by B. Baron, 1744 after J. Kerseboom.

King Charles I at Titchfield, Hampshire, having escaped from Hampton Court, learns that the governor of the Isle of Wight will betray him to Cromwell. Engraving by B. Baron after P. Angellis.

The rich visiting the poor and needy bringing alms, with a quote from the Bible. Line engraving by B. Baron, 1728, after a painting attributed to Frans Francken I.

In the cabinet of the quack doctor, the viscount Squanderfield holds out a small pill-box as a girl dabs her face with a handkerchief. Engraving by B. Baron after W. Hogarth, 1745.

The viscount sits despondent in a chair, his wife indicates tiredness by stretching her arms, while a disapproving steward exits carrying a handful of bills. Engraving by B. Baron after W. Hogarth, 1745.