Sales catalogue: Puttick and Simpson

Date:
4th March 1921
Reference:
WA/HMM/CM/Sal/16/158
Catalogue details

Licence: Public Domain Mark

Credit: Sales catalogue: Puttick and Simpson. Source: Wellcome Collection.

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    64 65 66 Topography, various wm portfolio: Ditto | a parcel Ditto | a parcel Views in Belgium, lithographs, in colours 6. Swiss View, by A. Manz, aquatint, in colours View of Dresden, by Hammer, aquatint, in colours—German Costumes and Views, in colowrs, and Premiere Promenade. de Berlin, by D. Chodowiecki 15 Views of Florence, Spain, Paris, etc., in colours a parcel New Cross Turnpike, aquatint—Portraits, ete. a parcel Views of the Palais Royal, by W. Daniell, aquatints 2 Views in Paris, by 8. Porter ) Views in the Tyrol, by C. Apostool, aquatints, in colours 6 Ansicht von Unkel, and Companion, by J. Ziegler, after L. Janscha, aquatints, in colours ee View of Lisbon, by W. J. Bennett, after L. Parkyns, aquatint, im colours Swiss Views, mostly aquatints, in colours 20: Aberdillas Mill, South Wales, ete., by Havell and Jukes, after Walmsley 3: Killarney and Loch Erne, by Laporte, aquatint, in colours Niagara Railway Suspension Bridge, 1858, by Endicott, after Holloway, lithograph Arundel Castle, by Baily, after Scott, aquatint, in colours Dover Castle and Cliffs, and a View of Dover 2, Keswick Lake and Skiddaw, after W. West, aquatints, in colours 3 Carrick Castle—Lochgoil and Inverary, by C. Turner, after Bromley 3 View of Montrose, by and after Ouchterlony, aquatint, in colours Sheen Bridge—Elgin Cathedral, etc., by Jukes, after Walmsley, aquatints, in colours 3. A View of Petersham and Twickenham Meadows from Richmond Hill, by J. Jones, after Sir Joshua Reynolds, mezzotint, fine, with large margins *.* From the Kirk and Sir T. Lawrence Collections. Salisbury Cathedral, by D. Lucas, after J. Constable, mezzotint DUBLIN, TAKEN FROM THE [our Courts, by R. Havell, after T. 8. Roberts, aquatint, in colours, fine