Tiberius, Emperor of Rome. Line engraving by A. Sadeler, 16--, after Titian.

  • Titian, approximately 1488-1576.
Date:
[between 1600 and 1699?]
Reference:
730652i
  • Pictures

About this work

Description

Tiberius Caesar, half-length portrait from behind, wearing armour and laurel wreath, facing towards the left, holding staff

Publication/Creation

[Venice?] : Marcus Sadeler excud, [between 1600 and 1699?]

Physical description

1 print : line engraving ; sheet 36 x 24.2 cm

Lettering

Tiberius Caesar. III. Iste feros ritus, et plus quam immitia corda Firmamenta sui qui ratus imperij est, Dedidicit quas vitali cum sanguine leges Vel natura dedit; vel sibi fecit amor. Matrem, atque uxorem, natosq, nurinque, nepotesque [sic] Omnes fax habuit pabula saevitiae. Odisse hic sese populum, ac sua facta probare nam voluit, laetum reddidit interitu. Aegidius Sadeler S.C.M. sculp. Titianus inventor. Marcus Sadeler excud. Lettering in four elegiac couplets below the portrait

Notes

One print in a set of twelve pairs of prints of Roman emperors and empresses

References note

Frances Coulter, 'Drawing Titian's "Caesars": a rediscovered album by Bernardino Campi', The Burlington magazine, July 2019, 161: 562-571

Reference

Wellcome Collection 730652i

Creator/production credits

"Titian's series of portraits of the Caesars was painted for the Duke of Mantua, Federico II Gonzaga, between 1536 and 1540. Sold to Charles I of Great Britain in 1628, and acquired for Philip IV of Spain in 1651, they were lost in the fire at the Alcazar, Madrid, in 1734. Their immense popularity spawned many painted, drawn and engraved copies throughout the sixteenth and seventeenth centuries. … Engravings made around 1620 by Aegidius Sadeler (c. 1570-1629) also helped to popularise the Caesars across Europe , but it is possible that they were taken not from Titian's originals but from a further set of copies" (Coulter, op. cit., p. 563)

Languages

Where to find it

  • Tiberius Caesar and Agrippina

    LocationStatusAccess
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