According to Professor Paul B. Courtright, the print "emphasizes the latent eroticism in sati representation in the early nineteenth century" and resembles a French lithograph in the Bibliothèque Nationale in Paris" (letter to the Wellcome Institute, 24 March 1993)
The print "depicts Solvyns's central figures, the widow and her two brahmin attendants, in a composition with a scene of the pyre by another artist" according to Hardgrave, loc. cit., referring to a print (not a lithograph) by François Balthazar Solvyns, Calcutta edition, section XII, no. 13, "Shoho Gomon,--Women burning themselves with the Corpse of their Husband"