The political consequences of widespread misinformation are becoming ever more apparent, and anyone using deceptive strategies in their work should take extra care. In this series, artist A R Hopwood examines the applications of deception in visual culture, the therapy room, and the science lab and asks: are there any circumstances under which deception can be justified?
Parafictional artists create projects where the imaginary interacts with real life. But the growth of so-called ‘fake news’ is providing a new challenge.
Discover how a New York private investigator became part of Houdini’s mission to expose the fraudulent mediums making money from their vulnerable, grieving clients.
How can you remember an event that never took place? Find out how manipulation, misinformation and coercion can plant false memories in your mind.
How can you be sure that the person speaking on the screen is genuine? Find out how sophisticated digital manipulation is blurring the boundaries between real and ‘deepfake’.
Being deceived isn’t always a case of believing someone else’s lie. Experiments have shown that many of us can be manipulated into accepting our own fictions as true.
About the author
A R Hopwood
A R Hopwood is an artist and Wellcome Trust Engagement Fellow. He has collaborated extensively with experimental psychologists to create art projects about memory, belief and misdirection including WITH and the False Memory Archive. He is co-curator of ‘Smoke and Mirrors: The Psychology of Magic’.