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Wounded foreigners outside the city walls being picked up by French soldiers and taken to a guarded fortress. Coloured lithograph by G. Engelmann after H. Lecomte, 1820.
Lecomte, Hippolyte, 1781-1857.Date: 1820Reference: 24451i
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Christ raises the widow's son from the dead. Engraving by J. Barlow.
Reference: 23716i
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Rebuilding of the walls of the City of London: King Alfred the Great, on horseback, visits the building site and gives an order to the master builder. Colour process print after F.O. Salisbury, 1912.
Salisbury, Frank O. (Frank Owen), 1874-1962.Date: [1912?]Reference: 2970979i
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The aged Anne, mother of the Virgin Mary, meets Joachim by the Golden Gate at Jerusalem. Engraving by H. Wierix.
Wierix, Jeronimus, 1553-1619.Reference: 20982i
Part of: Vita divae Mariae virginis.
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Christ raises the son of the widow of Nain from the dead. Engraving after F. Zuccaro.
Zuccaro, Federico, approximately 1540-1609.Reference: 23711i
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The Virgin of Mercy responding to the intercessions of saints by protecting people from arrows symbolising disease; the Devil rules below, where plague attacks the land. Lithograph after L. Dottorini after Benedetto Bonfigli, 1464 (?).
Bonfigli, Benedetto, approximately 1420-1496.Date: 1800-1899Reference: 21419i
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King Charles I on horseback outside the city walls of Hull: the Parliamentarians inside, led by Sir John Hotham, refuse to surrender the city. Engraving by N. Tardieu after C. Parrocel.
Parrocel, Charles, 1688-1752.Date: [1728]Reference: 3225795i
Part of: Ten curious prints of the most remarkable transactions of the reign of King Charles 1st
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Christ raises the widow's son from the dead. Etching by A. Walker after J-B. Jouvenet.
Jouvenet, Jean, 1644-1717.Reference: 23722i
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Christ raises the son of the widow of Nain from the dead. Engraving by J. Matham after F. Zuccaro.
Zuccaro, Federico, approximately 1540-1609.Reference: 23717i
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The Hospital of Bethlem [Bedlam] at Moorfields, London: seen from the south, with part of London Wall in the foreground, and a muck-raker scraping at the cobblestones. Etching by J. T. Smith, 1814, after himself, June 1812.
Smith, John Thomas, 1766-1833.Date: 15 September 1814Reference: 25639i
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Christ raises the widow's son from the dead. Engraving by J. Dambrun, 1793, after J.M. Moreau.
Moreau, Jean Michel, 1741-1814.Date: 1793Reference: 23720i
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Christ raises the widow's son from the dead. Etching by A. Tardieu after Guilbaut.
Reference: 23721i
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Christ raises the widow's son from the dead. Wood engraving by F. Obermann.
Obermann, Ferdinand, 1823-Reference: 23731i
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A woman covers her eyes as she steals the teeth of a hanged man. Aquatint with etching by F. Goya, ca. 1797.
Goya, Francisco, 1746-1828.Reference: 18059i
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Samson carries the gates of Gaza up to the mount of Hebron. Etching by J. Taylor after F. Verdier, 1698.
Verdier, François, 1651-1730.Reference: 18357i
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Antioch, Turkey: remains of the old walls of the city, following the slope of a mountain. Engraving by J.B. Liénard after L.F. Cassas.
Cassas, Louis François, 1756-1827.Date: [germinal an. VI [1798]]Reference: 2851381i
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Christ raises the widow's son from the dead. Engraving by W.H. Mote, 1846, after J. Franklin after J.F. Overbeck.
Overbeck, Johann Friedrich, 1789-1869.Date: 1846Reference: 23723i
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Guard turrets on the walls of Aurelian, Rome: different ground levels are shown before and after construction of the walls, with ruins of buildings incorporated into the wall. Etching by G.B. Piranesi, 1756.
Piranesi, Giovanni Battista, 1720-1778.Date: 1756Reference: 2975145i
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A section of the walls of Aurelian, Rome. Etching by G.B. Piranesi, 1756.
Piranesi, Giovanni Battista, 1720-1778.Date: 1756Reference: 2975144i
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Christ raises the widow's son from the dead. Engraving, c. 17th century.
Reference: 23712i
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Samson carries the gates of Gaza out of the city. Woodcut.
Reference: 18358i

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Wounded foreigners outside the city walls being picked up by French soldiers and taken to a guarded fortress. Coloured lithograph by G. Engelmann after H. Lecomte, 1820.

Christ raises the widow's son from the dead. Engraving by J. Barlow.

Rebuilding of the walls of the City of London: King Alfred the Great, on horseback, visits the building site and gives an order to the master builder. Colour process print after F.O. Salisbury, 1912.

The aged Anne, mother of the Virgin Mary, meets Joachim by the Golden Gate at Jerusalem. Engraving by H. Wierix.

Christ raises the son of the widow of Nain from the dead. Engraving after F. Zuccaro.

The Virgin of Mercy responding to the intercessions of saints by protecting people from arrows symbolising disease; the Devil rules below, where plague attacks the land. Lithograph after L. Dottorini after Benedetto Bonfigli, 1464 (?).

King Charles I on horseback outside the city walls of Hull: the Parliamentarians inside, led by Sir John Hotham, refuse to surrender the city. Engraving by N. Tardieu after C. Parrocel.

Christ raises the widow's son from the dead. Etching by A. Walker after J-B. Jouvenet.

Christ raises the son of the widow of Nain from the dead. Engraving by J. Matham after F. Zuccaro.

The Hospital of Bethlem [Bedlam] at Moorfields, London: seen from the south, with part of London Wall in the foreground, and a muck-raker scraping at the cobblestones. Etching by J. T. Smith, 1814, after himself, June 1812.

Christ raises the widow's son from the dead. Engraving by J. Dambrun, 1793, after J.M. Moreau.

Christ raises the widow's son from the dead. Etching by A. Tardieu after Guilbaut.

Christ raises the widow's son from the dead. Wood engraving by F. Obermann.

A woman covers her eyes as she steals the teeth of a hanged man. Aquatint with etching by F. Goya, ca. 1797.

Samson carries the gates of Gaza up to the mount of Hebron. Etching by J. Taylor after F. Verdier, 1698.

Antioch, Turkey: remains of the old walls of the city, following the slope of a mountain. Engraving by J.B. Liénard after L.F. Cassas.

Christ raises the widow's son from the dead. Engraving by W.H. Mote, 1846, after J. Franklin after J.F. Overbeck.

Guard turrets on the walls of Aurelian, Rome: different ground levels are shown before and after construction of the walls, with ruins of buildings incorporated into the wall. Etching by G.B. Piranesi, 1756.

A section of the walls of Aurelian, Rome. Etching by G.B. Piranesi, 1756.

Christ raises the widow's son from the dead. Engraving, c. 17th century.

Samson carries the gates of Gaza out of the city. Woodcut.