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A regal Mary (or Wisdom?), as the Church of the Last Judgement, flanked by angels. Line engraving by T. de Leu.
Reference: 15545i
Part of: Imago bonitatis illius
Pictures
Advertising prospectus for a book on the history of Freemasonry, with an allegorical jumble of masonic devices. Wood engraving by B. Pollet after Beaucé.
Beaucé, V. (Vivant), 1818-1876.Date: [1842?]Reference: 44170i
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An innkeeper's wife and daughter taking care of Don Quixote's wounds and injuries after being beaten. Engraving after W. Hogarth after M. de Cervantes Saavedra.
Cervantes Saavedra, Miguel de, 1547-1616.Reference: 22041i
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Christ raises Lazarus from his tomb; weapons hang from above. Engraving by J. Thomson, 1846, after J. Franklin after Rembrandt.
Rembrandt Harmenszoon van Rijn, 1606-1669.Date: 1846Reference: 23789i
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Wound man showing all the weapons and points of injury. Woodcut.
Reference: 18587i
Pictures
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Kali with all of her symbols and dog. Gouache drawing.
Reference: 26016i
Pictures
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The death of General Marceau, during the retreat at Altenkirchen, 1796. Line engraving by M.G. Eichler, 1817, after A.-L. Giradet.
Giradet, Abraham-Louis, 1772-1820.Date: 1796Reference: 547489i
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Lugari tribe.
Mandel, L.Date: [appoximately 1900]Reference: 536591i
Part of: The Fallaize Collection.
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Row of English soldiers led by the drummer and bugle player. Coloured transfer lithograph.
Reference: 26092i
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Battle in Kabul. Coloured transfer lithograph.
Reference: 26067i
Pictures
Online
Putti plan war manoeuvres on maps with the help of geometrical diagrams; representing geometry and military science. Etching by B. Picart, 1729, after himself.
Picart, Bernard, 1673-1733.Date: 1729Reference: 25664i
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A woman being bled by one man while another holds her arm, two dogs lap up her blood; representing France in the grip of Louis XIV and Cardinal Richelieu, while the financiers drain her resources. Engraving.
Reference: 12160i
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A Japanese Samurai warrior in his armour. Watercolour.
Reference: 23475i
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Wounded British soldiers waiting at the station to go home from the Afghan war, Allahabad, Uttar Pradesh, India. Wood engraving by W.J. Palmer.
Palmer, William James.Reference: 20707i
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Online
Red Cross workers sleeping in hammocks during the Serbo-Turkish War. Wood engraving after G. Durand.
Reference: 20728i
Pictures
Online
Durga on a lotus with all her weapons surrounded by devotees. Gouache drawing.
Reference: 27815i
Pictures
Online
Afghan soldiers caught between allied troops in the Anglo-Afghan war, 1839-42. Coloured transfer lithograph.
Date: [19th century]Reference: 26064i
Pictures
A group of naked Amazonian Indian hunters, in a photographic studio with a painted backdrop.
Ferrez, Marc, 1843-1923.Date: [1900]Reference: 542152i
Part of: The Fallaize Collection.
Pictures
Online
General Georges Mouton sits perched on an enormous clyster; representing his use of a prototype water-cannon in quelling an uprising. Lithograph after A. Desperret after Charles Philipon, c. 1831.
Philipon, Charles, 1800-1862.Date: 1831Reference: 16445i
Pictures
An Indian prince or maharaja, seated holding a jewelled scimitar, with an older man, probably a servant, standing behind him, in a palace (?).
Date: [approximately 1900]Reference: 539317i
Part of: The Fallaize Collection.
Pictures
Online
A short-handled flail (weapon) with four metal chains ending in metal weights. Engraving by J. Basire after R. Stothard, 1827.
Stothard, Robert T. (Robert Thomas), 1797-Date: April 23rd 1827Reference: 43436i
Pictures
A group of men dansing with spears stuck in the ground in front of them, Kenya.
Coutinho & SonsDate: [approximately 1900]Reference: 537381i
Part of: The Fallaize Collection.
Pictures
Online
Treating the wounded after a battle. Tinted mezzotint by J.C. Rugendas, 17--, after G.P. Rugendas the elder, 1695.
Rugendas, Georg Philipp, 1666-1742.Date: 1695Reference: 18605i
Pictures
An Arab warrior with a long-barrelled musket and a scimitar, against a studio backdrop of camels and palm trees. Photograph, ca.1900.
Date: [approximately 1900]Reference: 538946i
Part of: The Fallaize Collection.
Pictures
Online
Bullock's Museum, (Egyptian Hall or London Museum), Piccadilly: the interior. Coloured aquatint, 1810.
Shepherd, Thomas H. (Thomas Hosmer)Date: 1 June 1810Reference: 40285i

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A regal Mary (or Wisdom?), as the Church of the Last Judgement, flanked by angels. Line engraving by T. de Leu.

Advertising prospectus for a book on the history of Freemasonry, with an allegorical jumble of masonic devices. Wood engraving by B. Pollet after Beaucé.

An innkeeper's wife and daughter taking care of Don Quixote's wounds and injuries after being beaten. Engraving after W. Hogarth after M. de Cervantes Saavedra.

Christ raises Lazarus from his tomb; weapons hang from above. Engraving by J. Thomson, 1846, after J. Franklin after Rembrandt.

Wound man showing all the weapons and points of injury. Woodcut.

Kali with all of her symbols and dog. Gouache drawing.

The death of General Marceau, during the retreat at Altenkirchen, 1796. Line engraving by M.G. Eichler, 1817, after A.-L. Giradet.

Lugari tribe.

Row of English soldiers led by the drummer and bugle player. Coloured transfer lithograph.

Battle in Kabul. Coloured transfer lithograph.

Putti plan war manoeuvres on maps with the help of geometrical diagrams; representing geometry and military science. Etching by B. Picart, 1729, after himself.

A woman being bled by one man while another holds her arm, two dogs lap up her blood; representing France in the grip of Louis XIV and Cardinal Richelieu, while the financiers drain her resources. Engraving.

A Japanese Samurai warrior in his armour. Watercolour.

Wounded British soldiers waiting at the station to go home from the Afghan war, Allahabad, Uttar Pradesh, India. Wood engraving by W.J. Palmer.

Red Cross workers sleeping in hammocks during the Serbo-Turkish War. Wood engraving after G. Durand.

Durga on a lotus with all her weapons surrounded by devotees. Gouache drawing.

Afghan soldiers caught between allied troops in the Anglo-Afghan war, 1839-42. Coloured transfer lithograph.

A group of naked Amazonian Indian hunters, in a photographic studio with a painted backdrop.

General Georges Mouton sits perched on an enormous clyster; representing his use of a prototype water-cannon in quelling an uprising. Lithograph after A. Desperret after Charles Philipon, c. 1831.

An Indian prince or maharaja, seated holding a jewelled scimitar, with an older man, probably a servant, standing behind him, in a palace (?).

A short-handled flail (weapon) with four metal chains ending in metal weights. Engraving by J. Basire after R. Stothard, 1827.

A group of men dansing with spears stuck in the ground in front of them, Kenya.

Treating the wounded after a battle. Tinted mezzotint by J.C. Rugendas, 17--, after G.P. Rugendas the elder, 1695.

An Arab warrior with a long-barrelled musket and a scimitar, against a studio backdrop of camels and palm trees. Photograph, ca.1900.

Bullock's Museum, (Egyptian Hall or London Museum), Piccadilly: the interior. Coloured aquatint, 1810.