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Principles and practice of crown and bridgework : a practical, systematic and modern treatise upon the requirements and technique of artificial crown and bridgework / by Hart J. Goslee.
Goslee, Hart J. (Hart John), 1871-1930.Date: 1907
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Online
The Virgin Mary with the Christ child, saints and martyrs (known as the 'Madonna del Rosario') Drawing by F. Rosaspina, c. 1830, after D. Zampieri, il Domenichino, 1619-21.
Domenichino, 1581-1641.Reference: 25301i
Part of: La Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna
Pictures
Online
The deposition of Christ from the cross. Drawing by F. Rosaspina, c. 1830, after Niccolò da Cremona, 1518.
Niccolò, Da Cremona, active 1518.Reference: 11804i
Part of: La Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna
Pictures
A design with a pelican for a pharmacy label for the hospital at Tournus, France. Reproduction of an etching.
Reference: 16256i
Pictures
Online
A mint liqueur label illustrated with two men, an angel and a crown. Engraving, 19th century.
Reference: 25691i
Books
Three quarter crowns : how to construct and apply them.
Engel, Fritz.Date: 1946
Books
A practical treatise on artificial crown-, bridge-, and porcelain-work / by George Evans.
Evans, George, 1844-1942.Date: 1923
Pictures
Online
Cybele wearing a turreted crown and holding a sceptre; in the background men work on the land; representing Earth, one of the four elements. Engraving by J. Sadeler, 1587, after D. Barendsz.
Barendsz, Dirck, 1534-1592.Date: 1587Reference: 26866i
Pictures
Online
The dead Christ is taken down from the cross. Line engraving by D. Falcini after F. Barocci.
Barocci, Federigo, 1528-1612.Reference: 23213i
Books
Online
Principles and practice of crown and bridgework : a practical, systematic and modern treatise upon the requirements and technique of artificial crown and bridgework / By Hart J. Goslee.
Goslee, Hart J., 1871-1930.Date: 1913
Videos
Tomorrow's World. Teeth.
Date: 196?
Pictures
Online
Erasistratus, a physician, realising that Antiochus's (son of Seleucus I) illness is lovesickness for his stepmother Stratonice, by observing that Antiochus's pulse rose when ever he saw her. Mezzotint by V. Green, 1776, after B. West.
West, Benjamin, 1738-1820.Date: 27 May 1776Reference: 22179i
Pictures
Online
A frog wearing a crown with the title in Swedish 'A bedtime story' in the form of a verse about AIDS below. Colour lithograph by Garbergs, ca. 1995.
Date: [1995?]Reference: 676405i
Pictures
Online
The adoration of the magi. Etching by J. Swaine after R. Shipster after medieval bas-relief.
Reference: 22194i
Pictures
Online
Napoleon climbing a headless skeleton trying to reach an unattainable crown; representing his imperial ambitions for France and his own for sovereignty. Coloured etching, 1803.
Date: June 1803Reference: 12195i
Pictures
Online
Jesus is exhibited to the people wearing a crown of thorns. Line engraving by Agostino Carracci, 1587, after A. Allegri, il Correggio.
Correggio, 1489?-1534.Date: 1587Reference: 23008i
Pictures
Online
Christ's body is carried to its tomb; the lamenting women watch. Line engraving by A. Sadeler after F. Barocci.
Barocci, Federigo, 1528-1612.Reference: 24617i
Pictures
Online
Roman soldiers beat Christ before the high priest. Line engraving by J. Sadeler, 1589, after C. Schwartz.
Schwarz, Christoph, approximately 1548-1592.Date: 1589Reference: 23000i
Pictures
Online
Erasistratus, a physician, realising that the illness of Antiochus (son of Seleucus I) is lovesickness for his stepmother Stratonice, by observing that Antiochus's pulse rate rises when ever he sees her. Engraving by P. Baquoy after A. Desenne after G. de Lairesse.
Lairesse, Gérard de, 1640-1711.Reference: 21248i
Ephemera
Artificial teeth, painless extractions : with compliments / R.D. Caddy.
Caddy, R. D.Date: [between 1900 and 1909?]
Pictures
Online
The mocking and flagellation of Christ; he is crowned with thorns and beaten with sticks. Drawing by F. Rosaspina, c. 1830, after L. Carracci.
Carracci, Lodovico, 1555-1619.Reference: 25602i
Part of: La Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna
Pictures
Online
The three holy women lament over the dead body of Christ. Coloured mezzotint by V. Green, 1800, after Maria Cosway, 1799.
Cosway, Maria Hadfield, 1759-1838.Date: 1 July 1800Reference: 24611i
Pictures
Online
A three-headed eagle in a crowned alchemical flask, representing mercury sublimated three times. Watercolour painting by E.A. Ibbs.
Ibbs, Edith A.Date: 1900-1909Reference: 38823i
Part of: Splendor solis
Pictures
Online
A masonic tribute to the duchess of Leinster, a governess of Lock Penitentiary, Dublin: she is attended by Virtue and Fame. Etching by H. Brocas, 1794.
Brocas, Henry, 1762-1837.Date: [1794]Reference: 25215i
Pictures
An ornamental French liqueur label. Gold letterpress on blue paper, 19th century.
Reference: 25717i

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Principles and practice of crown and bridgework : a practical, systematic and modern treatise upon the requirements and technique of artificial crown and bridgework / by Hart J. Goslee.

The Virgin Mary with the Christ child, saints and martyrs (known as the 'Madonna del Rosario') Drawing by F. Rosaspina, c. 1830, after D. Zampieri, il Domenichino, 1619-21.

The deposition of Christ from the cross. Drawing by F. Rosaspina, c. 1830, after Niccolò da Cremona, 1518.

A design with a pelican for a pharmacy label for the hospital at Tournus, France. Reproduction of an etching.

A mint liqueur label illustrated with two men, an angel and a crown. Engraving, 19th century.

Three quarter crowns : how to construct and apply them.

A practical treatise on artificial crown-, bridge-, and porcelain-work / by George Evans.

Cybele wearing a turreted crown and holding a sceptre; in the background men work on the land; representing Earth, one of the four elements. Engraving by J. Sadeler, 1587, after D. Barendsz.

The dead Christ is taken down from the cross. Line engraving by D. Falcini after F. Barocci.

Principles and practice of crown and bridgework : a practical, systematic and modern treatise upon the requirements and technique of artificial crown and bridgework / By Hart J. Goslee.

Tomorrow's World. Teeth.

Erasistratus, a physician, realising that Antiochus's (son of Seleucus I) illness is lovesickness for his stepmother Stratonice, by observing that Antiochus's pulse rose when ever he saw her. Mezzotint by V. Green, 1776, after B. West.

A frog wearing a crown with the title in Swedish 'A bedtime story' in the form of a verse about AIDS below. Colour lithograph by Garbergs, ca. 1995.

The adoration of the magi. Etching by J. Swaine after R. Shipster after medieval bas-relief.

Napoleon climbing a headless skeleton trying to reach an unattainable crown; representing his imperial ambitions for France and his own for sovereignty. Coloured etching, 1803.

Jesus is exhibited to the people wearing a crown of thorns. Line engraving by Agostino Carracci, 1587, after A. Allegri, il Correggio.

Christ's body is carried to its tomb; the lamenting women watch. Line engraving by A. Sadeler after F. Barocci.

Roman soldiers beat Christ before the high priest. Line engraving by J. Sadeler, 1589, after C. Schwartz.

Erasistratus, a physician, realising that the illness of Antiochus (son of Seleucus I) is lovesickness for his stepmother Stratonice, by observing that Antiochus's pulse rate rises when ever he sees her. Engraving by P. Baquoy after A. Desenne after G. de Lairesse.

Artificial teeth, painless extractions : with compliments / R.D. Caddy.

The mocking and flagellation of Christ; he is crowned with thorns and beaten with sticks. Drawing by F. Rosaspina, c. 1830, after L. Carracci.

The three holy women lament over the dead body of Christ. Coloured mezzotint by V. Green, 1800, after Maria Cosway, 1799.

A three-headed eagle in a crowned alchemical flask, representing mercury sublimated three times. Watercolour painting by E.A. Ibbs.

A masonic tribute to the duchess of Leinster, a governess of Lock Penitentiary, Dublin: she is attended by Virtue and Fame. Etching by H. Brocas, 1794.

An ornamental French liqueur label. Gold letterpress on blue paper, 19th century.