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Henry Jenkins, aged 169. Etching by T. Worlidge, 1752, after R. Walker.
Walker, Robert, -1660.Date: 1752Reference: 359i
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A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom. Etched after the manner of Rembrandt, by T. Worlidge, painter.
Worlidge, T. (Thomas), 1700-1766.Date: MDCCLXVIII. [1768]
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Henry Jenkins, aged 169. Etching by T. Worlidge, 1792, after R. Walker.
Walker, Robert, -1660.Date: 24 July 1792Reference: 838i
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Online
A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt. By T. Worlidge, Painter.
Worlidge, T. (Thomas), 1700-1766.Date: MDCCLXVIII. [1768]
Pictures
The head of a man in a fur hat in profile to right. Soft ground etching by B. Green, 1780, after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Date: Aug.st 1st 1780Reference: 2497745i
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John Evelyn. Line engraving by J. Tookey after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Reference: 2792i
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The head of an old man in a turban directed to left, looking to front. Soft ground etching by B. Green, 1775, after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Date: 13 July 1775Reference: 2497747i
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The head of a man with an open mouth, in profile to right. Soft ground etching by B. Green after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Date: [1780?]Reference: 2497750i
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King George II. Etching by T. Worlidge, ca. 1753.
Worlidge, T. (Thomas), 1700-1766.Date: [1753?]Reference: 2163281i
Books
Online
A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt / By T. Worlidge, painter.
Worlidge, T. (Thomas), 1700-1766.Date: 1768
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Online
Sir James Edward Smith. Etching by Mrs D. Turner after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Reference: 8820i
Pictures
The head of a man in a cap looking downwards to left. Soft ground etching by B. Green, 1780, after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Date: Aug.st 1st 1780Reference: 2497746i
Pictures
The head of a (Jewish?) man in a fur hat, in profile to left. Soft ground etching by B. Green after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Date: [1780?]Reference: 2497749i
Pictures
William Taylor, a boy born blind, looking in a mirror after his sight had been restored by surgery. Etching by T. Worlidge, 1751.
Worlidge, T. (Thomas), 1700-1766.Date: 1751Reference: 16433i
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Dissections of abortions of around eight and nine weeks: six figures, each with an accompanying line diagram. Copperplate engraving by T. Worlidge after J.V. Rymsdyk, 1774, reprinted 1851.
Rymsdyk, Jan van, active 1750-1788.Date: [1851]Reference: 579882i
Part of: Hunter, William
Pictures
The head of a man in a cap, wearing an ear-ring, directed to left, looking to front. Soft ground etching by B. Green, 1780, after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Date: Aug.st 1st 1780Reference: 2497748i
Pictures
Online
Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.
Rembrandt Harmenszoon van Rijn, 1606-1669.Date: 1758Reference: 23835i
Books
Online
Collection choisie de desseins tirés de pierres precieuses antiques, pour la pluspart dans la possession de la grande et petite noblesse de ce royaume. Gravés dans le goût de Rembrandt, par T. Worlidge, Peintre. ...
Worlidge, T. (Thomas), 1700-1766.Date: MDCCLXVIII. [1768]
Pictures
Online
The installation of the Earl of Westmorland as Chancellor of Oxford University in the Sheldonian Theatre at Oxford. Engraving by T. Worlidge, 1761.
Worlidge, T. (Thomas), 1700-1766.Date: March 28th 1761Reference: 579867i
Books
Online
A specimen of a select collection of drawings, from the most curious antique gems; Eyched in a peculiar manner by T. Worlidge, painter. To which are prefixed observations on the art of engravings on gems, with their nature, composition, and subjects in general.
Worlidge, T. (Thomas), 1700-1766.Date: MDCCLXVI. [1766]
Pictures
King George II. Stipple engraving by White after T. Worlidge, ca. 1753.
Worlidge, T. (Thomas), 1700-1766.Date: [1794]Reference: 2163282i
Pictures
King George II. Mezzotint by R. Houston, 17--, after T. Worlidge.
Worlidge, T. (Thomas), 1700-1766.Date: [between 1700 and 1799]Reference: 2163263i
Books
Online
A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt. By T. Worlidge, painter.
Worlidge, T. (Thomas), 1700-1766.Date: MDCCLXVIII. [1768]
Pictures
Online
Apollo. Etching by T. Worlidge.
Reference: 11226i
Pictures
Online
Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.
Rembrandt Harmenszoon van Rijn, 1606-1669.Date: 1758Reference: 23834i

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Henry Jenkins, aged 169. Etching by T. Worlidge, 1752, after R. Walker.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom. Etched after the manner of Rembrandt, by T. Worlidge, painter.

Henry Jenkins, aged 169. Etching by T. Worlidge, 1792, after R. Walker.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt. By T. Worlidge, Painter.

The head of a man in a fur hat in profile to right. Soft ground etching by B. Green, 1780, after T. Worlidge.

John Evelyn. Line engraving by J. Tookey after T. Worlidge.

The head of an old man in a turban directed to left, looking to front. Soft ground etching by B. Green, 1775, after T. Worlidge.

The head of a man with an open mouth, in profile to right. Soft ground etching by B. Green after T. Worlidge.

King George II. Etching by T. Worlidge, ca. 1753.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt / By T. Worlidge, painter.

Sir James Edward Smith. Etching by Mrs D. Turner after T. Worlidge.

The head of a man in a cap looking downwards to left. Soft ground etching by B. Green, 1780, after T. Worlidge.

The head of a (Jewish?) man in a fur hat, in profile to left. Soft ground etching by B. Green after T. Worlidge.

William Taylor, a boy born blind, looking in a mirror after his sight had been restored by surgery. Etching by T. Worlidge, 1751.

Dissections of abortions of around eight and nine weeks: six figures, each with an accompanying line diagram. Copperplate engraving by T. Worlidge after J.V. Rymsdyk, 1774, reprinted 1851.

The head of a man in a cap, wearing an ear-ring, directed to left, looking to front. Soft ground etching by B. Green, 1780, after T. Worlidge.

Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.

Collection choisie de desseins tirés de pierres precieuses antiques, pour la pluspart dans la possession de la grande et petite noblesse de ce royaume. Gravés dans le goût de Rembrandt, par T. Worlidge, Peintre. ...

The installation of the Earl of Westmorland as Chancellor of Oxford University in the Sheldonian Theatre at Oxford. Engraving by T. Worlidge, 1761.

A specimen of a select collection of drawings, from the most curious antique gems; Eyched in a peculiar manner by T. Worlidge, painter. To which are prefixed observations on the art of engravings on gems, with their nature, composition, and subjects in general.

King George II. Stipple engraving by White after T. Worlidge, ca. 1753.

King George II. Mezzotint by R. Houston, 17--, after T. Worlidge.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt. By T. Worlidge, painter.

Apollo. Etching by T. Worlidge.

Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.

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Henry Jenkins, aged 169. Etching by T. Worlidge, 1752, after R. Walker.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom. Etched after the manner of Rembrandt, by T. Worlidge, painter.

Henry Jenkins, aged 169. Etching by T. Worlidge, 1792, after R. Walker.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt. By T. Worlidge, Painter.

The head of a man in a fur hat in profile to right. Soft ground etching by B. Green, 1780, after T. Worlidge.

John Evelyn. Line engraving by J. Tookey after T. Worlidge.

The head of an old man in a turban directed to left, looking to front. Soft ground etching by B. Green, 1775, after T. Worlidge.

The head of a man with an open mouth, in profile to right. Soft ground etching by B. Green after T. Worlidge.

King George II. Etching by T. Worlidge, ca. 1753.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt / By T. Worlidge, painter.

Sir James Edward Smith. Etching by Mrs D. Turner after T. Worlidge.

The head of a man in a cap looking downwards to left. Soft ground etching by B. Green, 1780, after T. Worlidge.

The head of a (Jewish?) man in a fur hat, in profile to left. Soft ground etching by B. Green after T. Worlidge.

William Taylor, a boy born blind, looking in a mirror after his sight had been restored by surgery. Etching by T. Worlidge, 1751.

Dissections of abortions of around eight and nine weeks: six figures, each with an accompanying line diagram. Copperplate engraving by T. Worlidge after J.V. Rymsdyk, 1774, reprinted 1851.

The head of a man in a cap, wearing an ear-ring, directed to left, looking to front. Soft ground etching by B. Green, 1780, after T. Worlidge.

Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.

Collection choisie de desseins tirés de pierres precieuses antiques, pour la pluspart dans la possession de la grande et petite noblesse de ce royaume. Gravés dans le goût de Rembrandt, par T. Worlidge, Peintre. ...

The installation of the Earl of Westmorland as Chancellor of Oxford University in the Sheldonian Theatre at Oxford. Engraving by T. Worlidge, 1761.

A specimen of a select collection of drawings, from the most curious antique gems; Eyched in a peculiar manner by T. Worlidge, painter. To which are prefixed observations on the art of engravings on gems, with their nature, composition, and subjects in general.

King George II. Stipple engraving by White after T. Worlidge, ca. 1753.

King George II. Mezzotint by R. Houston, 17--, after T. Worlidge.

A select collection of drawings from curious antique gems; most of them in the possession of the nobility and gentry of this kingdom; etched after the manner of Rembrandt. By T. Worlidge, painter.

Apollo. Etching by T. Worlidge.

Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.